Beginning with the band’s 2001 eponymous debut, the Memphis, Tenn. quartet has maintained an irreverent blend of country and punk that, over time, has been blurred into a very cohesive and organic coupling.
Legendary avant-garde composer Philip Glass has another busy year ahead, including a number of live performances scheduled in the coming months.
Glass will appear with the Qatsi Project for two three-night residencies – in Paris December 16-18, and in San Francisco in February. The Philip Glass Ensemble will perform Glass’ original scores for Godfrey Reggio’s trilogy of films – “Koyaanisqatsi: Life Out of Balance,” “Powaqqatsi: Life in Transformation,” and “Naqoyqatsi: Life as War.” The films will be shown in order, one per night.
Glass also has a number of solo piano performances lined up. February’s schedule includes concerts in Colorado, Oregon, British Columbia and Alberta.
In March, Glass will collaborate with New York-based composer/violinist/bandleader Daniel Bernard Roumain at Newark, N.J.’s Victoria Theatre.
Three full albums of Glass material surfaced in 2005, in addition to a disc featuring remixes of his work by drum and bass, house, techno and ambient producers. He also composed the soundtrack to “NeverWas,” a film by Joshua Michael Stern scheduled for release in 2006.
Source pollstar.com.
Sauerwine outfunks even the strongest 70s bands you
he Times They Are A-Changin’, a new musical based on the songs of Bob Dylan, will premiere at San Diego’s Old Globe Theater on January 25th.
Directed and choreographed by Broadway vet Twyla Tharp, the plot chronicles a low-rent traveling circus run by Captain Arab (Paul Kandel), and his son Coyote’s (Michael Arden) longings for a world outside of the family business. The story also details Coyote’s love for a young animal trainer, Cleo (Jenn Colella), who is exploited by Arab. The musical references such Dylan tunes as “Bob Dylan’s 115th Dream,” in which Arab is a character, and “Ballad of Hollis Brown,” which features the lyrics: “Way out in the wilderness/A cold coyote calls.”
The Times They Are A-Changin’, which plans to move to Broadway, follows a series of musicals built around rock music, including the Elvis Presley-inspired All Shook Up, the John Lennon-inspired Lennon, the Beach Boys’ Good Vibrations and the Billy Joel-inspired Movin’ Out — Tharp’s previous concept musical.
Tickets for the show, which is scheduled to run through March 5th, are on sale at oldglobe.org.
Source rollingstone.com.
Although Rush released a new live DVD, “R30: 30th Anniversary World Tour,” just last month, the veteran Canadian rock trio is planning on reissuing several classic live performances in 2006. To the delight of long time fans, their well-worn VHS copies of “Exit…Stage Left,” “Grace Under Pressure Tour” and “A Show of Hands” will soon be replaced with DVD reissues.
“Everything’s been remixed to 5.1, and that was the intention — to keep it all intact, except for the remix,” guitarist Alex Lifeson tells Billboard.com. “So it’s available in surround.” It remains to be decided if the releases will be made available individually or packaged together. “I’m guessing a box set — that would make more sense,” Lifeson says.
Lifeson says he enjoyed taking a trip down memory lane while refurbishing the material. “It was interesting to see the development in the arrangements, and how our sound changed over the course of a decade,” he says. “I definitely found it fascinating, looking at that. And how the stage show changed over the years — of course, [in] 10 years a lot of stuff changes. But it was a little fascinating to watch that, actually.”
Asked if he was planning to follow-up his lone solo release, 1996’s “Victor,” the artists offers, “‘Victor’ was really, really rewarding for me, and I felt that I really needed to do something like that at the time. I don’t feel like that so much anymore. Not that I would discount it, it’s great to work with other people, it’s great to work on your own music — especially in my case, when I have a studio.”
“But at the same time, we’re thinking about starting a new [Rush] record in the next month,” he continues. “We’ve been celebrating the last 30 years, and it’s time to kind of move forward now. So, I’m really looking forward to a new Rush studio album. And then afterwards, we’ll see.”
Source billboard.com.
When you’re home this holiday season drinking Bailey’s with the family, now there’s one more Christmas disc to add to the seasonal shuffle.
As noted by The Slip’s brother duo of Brad and Andrew Barr, “Our family only really attended church services on christmas eve and as far as we were concerned that was more than enough. The only thing that made that little wool uniform less than unbearable was the sacred music that ensued outside around the manger. Over the years we have both developed a real soft spot for some of these melodies and last December we invited the elves over to help us track some yule tide favorites. These cuts were intended to be for the family only, but The Slip’s friend and co-manager Jon Bahr convinced us that there might be others out there who need some ammo to help pry their families from the illimitable amount of garish tinsel time muzak.
Enjoy with eggnog.
-Andrew and Brad
1.White Christmas
2.Silent Night
3.Rudolph the Red Nosed Reindeer
4.Have Yourself a Merry Little Christmas
5.Oh Little Town of Bethlehem
all instruments played by The Barr Brothers
Click Here to purchase
The 16th Annual HIGH SIERRA MUSIC FESTIVAL will be held on Thursday, June 29 – Sunday, July 2, 2006 at the Plumas-Sierra County Fairgrounds, Quincy, CA.
Confirmed acts so far are:
Bela Fleck and The Flecktones
Nickel Creek
Umphrey’s McGee
Robert Walter’s Super Heavy Organ
Tea Leaf Green
ALO
Drew Emmitt Band [formerly of Leftover Salmon]
Lotus
New Mastersounds
Apollo Sunshine
Adrienne Young and Little Sadie
Shady Deal
Dubconscious
Chuch
Plus many, many more TBA
The High Sierra Music Festival is a unique four-day music and camping festival that features an eclectic and boldly creative span of music from acoustic singer-songwriters and down-home bluegrass to high-energy funk and skillfully improvised jazz, rock and live electronica.
Festival pass price includes a $1 donation to the High Sierra Foundation, which has established a special fund for direct aid to New Orleans musicians affected by Hurricane Katrina.
highsierramusic.com
The flippant music of Madness casts a dark shadow over the compositions of Kaiser Chiefs and Gwen Stefani, but unlike their contemporaries Gang of Four, they don
The warm ambiance provided by Mississippi Studios, which acts like an elegant living room rather than a theater, is the perfect setting for a Charlotte Martin performance. The stunningly beautiful Martin, in her second Portland performance seemed excited, if not slightly overanxious, to make the eager audience feel as at home as the venue does. Martin, an up-and-coming pop singer with a well-disguised dark side, managed to do just that on this Sunday night as she turned in a rather talkative–Storytellers-esque
Fronted by Glen Hansard, The Frames have been mining their independent rock through Dublin since the late 80’s, conforming to nobody’s expectations but their own.
