Artists have used nudity in their work since the days of the Greek Empire, so it’s no surprise that a few rock bands have used images of the naked body on their album artwork. Some bands use nudity to stir controversy, while a few others actually summon artistic intent to make their naked decisions.
For a while during the ’70s and ’80s it seemed like every week there was a new controversy over album art, but we don’t hear about that as much anymore. Two big factors have led to a decline in artists submitting albums with graphic covers. First, the obvious: CDs have a much more limited space for album artwork than vinyl. But more importantly, Wal-Mart has taken over physical distribution of albums, and they don’t stand for anything with even a hint on controversy. Apparently no one ever takes off their clothes in Bentonville, Arkansas.
This week’s B List takes a look at 10 controversial album covers that would never find their way into the racks at Wal-Mart (and, hey, nice racks). Some of these are quite graphic, so we’re gonna post them all after the jump and issue a big fat Not Safe For Work warning before we get down to business. So read on for our quick study of titties and penises on album covers…
Sixteen years ago today the world lost the man perhaps most responsible for this site’s possible existence. Bill Graham escaped Nazi Germany, stole Buddy Hackett’s car, discovered Santana, delivered Otis Redding to white audiences, brought the Allman Brothers to national prominence, indirectly kicked Zeppelin out of the United States, put on The Band’s Last Waltz and promoted just about every worthwhile show and festival that didn’t conclude with a fatal stabbing.
He’s a truly memorable figure. So on this day, the anniversary of his untimely death returning in a helicopter from a Huey Lewis & The News concert, we honor the man some consider to be the best supporting actor in the history of music.
I’m all for alleged OiNK founder Alan Ellis’ freedom from prosecution and cult hero status, but someone needs to help this dude out with his analogies. Ellis told The Telegraph
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Both indie and math rock can easily degenerate into dispassion on their own. Combining the two should increase that possibility exponentially, making Building the State's latest EP all the more remarkable.
his Meets That is as guitarist John Scofield describes, “real jazz music,” and he’s not exaggerating. With so many albums being tagged with some variation of the jazz label (acid, free, smooth), it is refreshing to hear an album that recalls the classic jazz greats: Miles Davis, Charles Mingus, and Chet Baker.
Particle has announced that the band will be joined by guitarist Barry Sless October 27 at Nelson Ledges. Barry and Steve have shared the stage over the years in Phil
Though Keller’s music has evolved since he first started playing music over twenty years ago, some things have remained constant: Keller is a prolific artist, an exceptional guitarist, and an