
G Love & Special Sauce: Bogarts, Cincinnati, OH 4.28.07
Photos by Scott Preston of G Love & Special Sauce at Bogarts in Cincinnati, OH on April 28th, 2007.
Photos by Scott Preston of G Love & Special Sauce at Bogarts in Cincinnati, OH on April 28th, 2007.
Los Angeles-based band Earlimart are set to release their fifth full-length, Mentor Tormentor, August 21st through their own imprint label, Majordomo Records. Mentor Tormentor is the follow-up to the band’s
What is it about Oasis? They have a sound both comforting for its familiarity and obnoxious for its grating, Noel-and-Liam-fueled Brit-poppishness. And while they have passed the apex of their fame – arguably, by over a decade – their sound remains somehow comforting.
Just as we all age and mature and become less “hardcore," so has Clutch. From Beale Street to Oblivion finds the band continuing their recent trend of moving away from their heavy/ hardcore roots to a blues-based sound that borders on the edge of classic outlaw southern-rock.
If someone were to mention the phrase “tramps at the mall,” my mind would almost immediately conjure up images of That Group of skanky high-school chicks with hoop earrings, makeup-caked faces and gobs of chewing gum
Digging Deep is one of our favorite B List features. We initiated it almost by accident in March with two separate columns, and in each of those editions we scoured YouTube to bring you some interestingly unique cover versions of cool songs. This week we continue this tradition, as we present Digging Deep: Part III.
Sometimes bands play covers to show off their skills; other times they play covers just for fun. This week’s edition of The B List takes a look at 10 songs done more for kicks than to win a Grammy. Read on for some must-watch videos from Jenny Lewis, the Black Crowes, Bob Dylan, Bob Plant & Pearl Jam and many more…
Vegas is played out. Montreal has become passé. Atlantic City is for Gotti Kidz and Camaro drivers. Sadly, the list of killer bachelor party destinations is dwindling dangerously. So when
HT Contributor Eliot Glazer has tremendously terrible taste in music. But he’s an adroit wordsmith, and he’s gonna try to convince us that the bad is really good.
Now I may not have been a cool kid by any means, but my parents — your everyday liberal Jewish boomers — knew how to keep their oldest son’s musical taste in check.
As a product of the[ir] times, I listened to Carly Simon, Harry Chapin, Carole King, Jackson Browne, Joni Mitchell…basically any North American who owned a musical instrument and experienced mild depression between 1970 and 1982 (one might not necessarily include Billy Joel among those folksters, but one wouldn’t realize that I grew up on Long Island, where knowing all the words to “Scenes From An Italian Restaurant” is as natural as giving the finger on the L.I.E.).
James Taylor was always, and continues to be, a staple of my musical taste. From his genuinely formative early records to his more recent albums that seamlessly compliment the “elegant yet comfortable” interior of a Williams Sonoma, Taylor’s got his routine down to a science. He doesn’t take risks, but there isn’t necessarily anything wrong with that (look at Norah Jones, three records, eight Grammys, and a cool bajillion dollars later). Every summer when JT plays at Jones Beach, my mom drags my dad along who, although he’s as much a fan as I am, often jokes that he should “bring a blanket and pillow” to the show. Ah, some things never change.
Read on for more I Love Bad Music and a fancy, streamable JT track…
Pearl Jam has boxed up three complete concerts held at the Gorge Amphitheatre in George, Wash., over the past two years for the aptly named release "Live at the Gorge
An eclectic mix of solemn indie rockers and enthralled teenage girls made up the crowd at Celebrity Theater on Wednesday, April 11. While many shows in Phoenix fail to draw the numbers expected by avid music fans, The Shins were welcomed by a lively sellout audience for an "in the round" performance.