Grousing The Aisles: Playing Catch Up
The past few weeks have been crazy for your old pal Scotty B, leaving me little time to review some of the concerts I’ve recently attended. So allow me to kill two birds with one stone for this week’s edition of Grousing The Aisles.
We’ll start by looking at RAQ’s first-ever performance at the beautiful new Highline Ballroom before moving onto Ween’s Friday night gig at NYC’s newest shitty venue, Terminal 5. Luckily high-quality recordings of both shows have surfaced, so you can listen to the shows I’m reviewing. You gotta love modern technology.
RAQ 11/24/2007 DAUD [FLAC, MP3, STREAM]
Photo by Dave Vann
It isn’t hard to have fun at a RAQ show. While they may not be breaking any new ground sonically, the Vermont quartet plays a mix of quirky originals and killer covers that keeps the crowd both entertained and dancing. The energy that the crowd gave the band and vice versa at Highline Ballroom a few weeks ago was pretty cool to watch. Everyone in the venue (besides me) seemed like longtime RAQ fans, and they consequently hung on every note the band played.
Keyboardist Todd Stoops is a guy most people either think is the best thing since sliced bread or the most annoying musician they’ve ever heard. Personally, I think Stoops’ spastic style adds some originality to both the jams and songs themselves. Check out Shirley Be A Drooler for a taste of Stoops’ hyper organ-playing or Clamslide for a sample of what he can do on the piano. Guitarist Chris Michetti shredded his way through the evening, starting with rapid-fire runs during the cover of AC/DC’s It’s A Long Way to The Top that opened the show before exhibiting a more melodic side of his fretwork on Carbohydrates Are The Enemy > Freya > Carbohydrates Are The Enemy. Read on for much more…