2007

Marilyn Manson: Eat Me Drink Me

Eat Me, Drink Me is fairly classic Manson, if perhaps lightened up a bit. His voice is every bit as crusty, dark, and angry as ever, and the synths, bass and drums pound out their usual aggressive anger, but the guitar work, in particular, seems to have lightened up, with occasional riffs that don’t sway too far from slack guitar while other guitar lines are straight-up rock ‘n roll.

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Pullin’ ‘Tubes: In Honor of Joe Zawinul

Former Miles Davis collaborator and Weather Report co-founder Joe Zawinul died earlier today at the age of 75. Zawinul isn’t exactly the most well-known figure in jazz history, but his

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Oh, You Mean Uncle Robert?

Bob Dylan didn’t die of drugs. He’s got a new greatest hits album coming out soon, and he’s got a message for you, Subterranean Homesick Blues style.

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Ryan Montbleau Band: Ready for the Big Time

The Ryan Montbleau Band has spent the last few weeks in the recording studio where it was in control of all the variables. But when the band returned to the stage on the last day of August for a gig on Rocks Off’s Half Moon cruise ship, it didn’t control a thing, including the setlist.

Photos courtesy of Tara Raymond


The band eschewed the use of a planned setlist on this night, choosing instead to embrace the moment and fly by the seat of their pants. Great bands know how to please the audience under any conditions, and the Ryan Montbleau Band showed what they are made of by putting on one helluva show.

Read on after the jump for a full review of Scotty’s trip aboard the Half Moon and a Live Music Archive download/stream of the 8/31 show on the Hudson…

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Hey, Indy: Heady Crystal Skulls, Brah

Spielberg, Lucas, Harry Ford, everyone’s on this thing but Sir Connery. And, of course, the honor of revealing the closely held name of the fourth installment of the deservedly legendary

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Rilo Kiley: Under the Blacklight

Under the Blacklight is fun and catchy, yet for a band renowned for intricate songcraft and interesting melodies, they have made themselves sound unoriginal and contrived.

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TLG: Processing a Three-Night Run at Blender

Here’s a riddle: Why did Tea Leaf Green’s three-night run at the Blender Theatre at Gramercy leave me hungry for some Kellogg’s Frosted Mini-Wheats?

It’s because the adult in me wonders why they opted for three nights at a smaller venue, selling the same amount of tickets and generating in three nights what they could have with one night at Irving Plaza, where they’ve played twice. But the kid in me loves the fact that they marched into town, set up camp and blew the fuckin’ Blender doors off with three full nights, seven fantastic sets over 10 hours, 62 electric originals, 13 acoustic tunes and one sick cover of Don’t Do It.

TeaLeafBlender

(click to enlarge — all photos by the always-awesome Ted Wong)


It’s been exactly two years to the day of Tea Leaf Green’s first headlining land gig in New York City. In that time the California-based band has journeyed east for some truly memorable gigs: two nights and six sets at Coda in November 2005, a three-set rager at CBGB for the 2006 Green Apple fest, and a sold-out show at Irving Plaza, to name just a few of the previous two years’ highlights.

When we look back in five years, however, none of those epic-in-their-own-right shows and runs will hold a candle to the milestone weekend in Manhattan that just transpired. So what if they barely filled the venue on Thursday and failed to sell out on Friday and Saturday — that doesn’t much matter. The carnage this foursome left in its musical wake cannot be measured, and the shows cannot be accurately reviewed without phrases like “Good God, that was smokin’!” and “Motherfucker…they killed that.” This is a band on top of its game.

Read on for more pictures and some videos from TLG in NYC…

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