2008

Review: Lotus and Telepath @ Irving Plaza

Words: Carla Danca
Photos: Jeremy Gordon

This past Saturday night in New York City, two of Philadelphia’s finest jamtronica bands, Lotus and Telepath, held court at the sold out Fillmore NYC at Irving Plaza. With dozens of young fans (16+ show) milling about looking for extras Telepath got the night off to a blazing start.

The three piece keyboard, bass, and drums mixed in music and beats from India and Africa, packing the floor early with the faithful eager to celebrate the holidays. The band ran through an upbeat 45 minute set, which included a Jingle Bell Rock tease and a callout to those dressed in Santa outfits and glow charms. A few in the crowd even noticed Mike Rempel of Lotus joining in and playing his unplugged guitar just off stage, no wonder as he and band mate Chuck Morris had sat in the night before in Pittsburgh.

Finally it was Lotus’s turn to take the stage. After road testing their newest material in Boston, St Louis, Denver, San Francisco, New Orleans and more than a dozen other cities and over 40+ shows, the band showed what a difference a few months can make. Kicking off with the ever-evolving fan favorite Bellweather, Lotus interspersed new tunes with old and turned the main floor into a tightly packed sweatbox of delirious fans. The second set highlights included Age of Inexperience, Shimmer & Out, and of course the encore, Hammerstrike, which ended with Jesse Miller grabbing his keyboard and thrusting it upward in delight. READ ON for more Lotus goodness…

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Arizona: Glowing Bird

Want a group that knows how to create big, luscious melodies but that can still rock out? Look no further than Arizona. 

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Review: Dark Star Orchestra @ Nokia

In what’s become an annual tradition, quintessential Grateful Dead tribute act Dark Star Orchestra returned to the Nokia Theater in New York City on the Friday and Saturday of Thanksgiving Weekend. We couldn’t have asked for a better way to help burn off the Thanksgiving Turkey doldrums than with a recreation of the epic Red Rocks ’78 two-night stand. The group was joined by former Grateful Dead vocalist Donna Jean Godchaux MacKay for a number of tunes each evening adding to the fun.

[All Photos by Adam Kaufman]

I hit the second night of the run where the band made one of my favorite Dead tapes of all-time come to life: July 8, 1978. After hearing that DSO had covered 7/7/1978 on Friday night we were all pretty sure we were in for 7/8/1978 which was confirmed when they started Bertha. The lovely Godchaux MacKay added some nice harmonies before leaving the stage at the end of the song. I expected Donna to sing with the band the whole night, but she sang on less than half of the songs. The majority featured Lisa Mackey, who normally sings Donna’s parts with DSO. It was pretty weird to see both real and recreated Donna tag in and out all evening, but it seemed to work for the band.

READ ON for more of Scotty’s review and Adam’s photos from the Nokia…

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The Disco Biscuits Return To The Road

After taking the past four months off to finish recording their new album, the Disco Biscuits return to the road on January 16 for what promises to be a full

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Intermezzo: Live Nation Taps Blockbuster

The war between industry giants Live Nation and Ticketmaster continues to heat up with the news that ticketing newcomer Live Nation has struck a deal with Blockbuster to sell tickets

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Disco Biscuits Announce Winter Tour

The Disco Biscuits *will hit the road this winter to bring a four week, five weekend powerhouse tour to stops across the country.  Highlights of the tour include the band’s

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Volume 18: Rachael Yamagata

Happenstance, Rachael Yamagata’s first full-length release in 2004, is the perfect way to describe the way I initially discovered her music.

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Interview: Michael Falzarano

When current New Riders of the Purple Sage and former Hot Tuna guitarist Michael Falzarano put together his latest solo album, We Are All One, he enlisted the help of many of the great musicians that have become part of his extended family including the late Vassar Clements, Buddy Cage of the New Riders, JGB’s Melvin Seals and Kerry Kearney. The resulting album takes you on a cohesive journey through many genres with Michael guiding us through all the wonderful styles of music that he’s played over the years.

We Are All One immediately caught my ear with the rollocking Why I Love You I Can’t Explain and didn’t let go through Gonna Power Down Now – the gorgeous lo-fi instrumental that closes the record. Other highlights include a song written as a tribute to Allen Woody (Last Train Out), two covers (Candy Man and How Long Blues) and the last known recording of Vassar Clements (When There’s Two There’s Trouble). We recently sat down with Michael to talk about his latest release…

Scott Bernstein: When I saw the late Vassar Clements’ name attached to this project I realized it must’ve been a long time in the making. Can you take us through a timeline of the creation of We Are All One?

Michael Falzarano: It’s hard for me to come to the realization that it’s been about four years. What happened was, I started recording this project and just as I was wrapping it up about three and a half years ago I got a phone call from Buddy Cage. He said “listen, we’re putting a version of the New Riders of the Purple Sage together to do five shows, would you be interested in playing?” I said “of course!” Number one, I love Buddy and David (Nelson). I love their music, I grew up listening to it and playing it in bars all over New York and Long Island. So, it’s like a natural thing for me. I figured five shows, we’ll just do ’em and have a great time and that would be that.

READ ON for more from Michael Falzarano on We Are All One…

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Tour Dates: R.E.M. Tribute

Over the last couple of years, Knitting Factory founder Michael Dorf has put together a string of highly successful tribute concerts honoring Bob Dylan, Bruce Springsteen, Elton John and other

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