March 2009

Sony Unveils New iPod Busting Walkman

Sony have unveiled their latest Walkman, which they hope will challenge the dominance of Apple‘s iPod. The new X Series has a similar touch interface and cover flow to the

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Metallica Announces Fall Arena Run

Metallica has announced plans to scour the continent during a 26-city fall/winter of North America behind its chart-topping September release, "Death Magnetic." The extensive "World Magnetic" trek begins with a

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Briefly: New Orleans Jazz Fest Grids

The grids for this year’s New Orleans Jazz & Heritage Festival have just been posted at nojazzfest.com. Neil Young and his band join Wynton Marsalis, Bon Jovi, Dave Matthews Band,

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Review: ABB Night 11 – Beacon Soul Stew

The Allman Brothers Band keeps pushing — gentle nudges here, violent heaves there — and with still four nights left to go in the epic and already legendary 2009 Beacon Theatre residency, calling shows like last night’s a “blowout” just seems so remote. It was a raging inferno and a soulful celebration, capped off by perhaps the greatest version of Les Brers In A Minor yet played by the current Allman Brothers Band lineup.

[Moogis Screenshot by Musichead]

Overall, the third Monday felt almost entirely unpredictable: a comfortably weird and somewhat esoteric setlist that for what its many, many guests connote, also felt just right. The first set was long and cinematic; I’ve heard better Don’t Want You No More > It’s Not My Cross to Bear openers, but the band got right to business with a chugging, dynamic Done Somebody Wrong, complete with good ol’ Thom Doucette blowing crisp and modal harp. Into this song, especially, the ABB’s breathed a lot more life in recent years: a shuffling intro that finally feels like one instead of a random pre-jam, stirring Gregg vocals, and a better jam segment.

From there things erupted: Warren blowing large shotgun shell holes in Can’t Lose What You Never Had, Derek and Ron Holloway (hi Ron!) laying waste to a wrenching Desdemona (to these ears, still the best of the “new” ABB songs), and a mesmerizing walk through the new and unnamed (though some say it’s called Orfeo) instrumental. I like it: very fusiony Bitches Brew, a tangle of minor key progressions and dark tones, rippling percussion, a little inchoate getting from the spare melody to the jam segments, but overall long and satisfying.

READ ON for more of Chad’s thoughts from last night’s show…

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