I wasn’t sure Jimi Hendrix’s iconic songs could withstand any more bent-note guitar storms, feedback or art damage; as you probably know, the dude became, oh, a bit of a name for not exactly playing solos that sounded like everyone else. But then I hadn’t before heard them through the prism of Richard Lloyd, who has quite the back story with Hendrix & this year released an intriguing album, The Jamie Neverts Story,
in tribute to the late Velvert Turner, a Hendrix protege & one of Lloyd’s dear friends. (There’s good reading to be done on the subject, and Lloyd, in this Times article.)

The album itself is fun, but winds up a tad slight: sure, hearing Lloyd deconstruct classic Hendrix like Purple Haze, Spanish Castle Magic and Castles Made of Sand is a lark, but there’s not enough Lloyd in any of it – he rarely cuts loose beyond straight covers, bending the edges slightly at times but never making any of the songs his own.
Lloyd’s Thursday night set at (Le) Poisson Rouge, however, saw him bringing many of the Hendrix material to bear the way you’d hope a guitar sorcerer like Lloyd would: still played straight, yes, but with a lot more of Lloyd’s personality and lengthy guitar heroics that sounded more like the mind-squishing art-rock of Lloyd’s career, and helped, of course, by his mixing of other chestnuts from that decades-long catalog (yes, including Television) into the mix. READ ON for more from Chad on Jounce & Richard Lloyd…