2009

A Slew of Clifford Ball Videos Surface

The Phish YouTube channel has been blowing up over the past 24 hours with the upload of a number of clips from the upcoming March 3rd release of The Clifford

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Review: Badfish @ The 9:30 Club

Supported by openers Bob, Future and Scotty Don’t – Badfish’s alter ego- the premiere Sublime cover band took the stage to a relatively crowded 9:30 club in Washington D.C. last Thursday night.

As cover bands go, life can be tough. These tribute bands will forever face the stigma of perfection, which is inherently impossible to overcome. That said, the four computer science majors from Rhode Island can draw a crowd for good reason – they are the best at what they do.

Opening with Smoke Two Joints it was immediately clear how Badfish nearly packed D.C.’s premiere music club. Lead singer, Pat Downes, has an impressively comparable voice to Sublime’s lead singer and figurehead, Bradley Nowell. The uncanny similarity is the backbone of Badfish and is arguably the closest point of perfection within the band’s effort to recreate the Sublime experience. READ ON for the rest of Kevin Smallwood’s Badfish review…

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Tour Dates: More Post-Phish Shows

With March 6 rapidly approaching, the news of some more post-Phish shows happening around Hampton, VA has been released. The fine folks at Glitterglu Productions will be hosting two nights

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Victor Wooten Opens Wooten Woods

What would cause a teenage boy to speak those words? On Sunday April 5, 2009, you can find out for yourself by visiting Wooten Woods. Victor Wooten and his wife have recently

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Jeff Tweedy Plans Three Northeast Solo Shows

Followingacoustic appearances in Kalamazoo (1/29), Ann Arbor, MI (1/30) and Champaign, IL (1/31), Jeff Tweedy will me heading to the Northeast for solo shows at Burlington, VT’s Higher Ground (3/26),

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The Walkmen: The Fillmore, San Francisco, CA 1/21/09

The Walkman: a black, square portable music player, a relic to a bygone age of music. The Walkmen: intangible, genre splicing rockers, behaving somewhat like relics. Fashionably speaking, most of the band dresses in 50’s lounge attire, favoring pinstripes and tanned vests. Their instruments are of a similar aged quality, looking like something one might find at a museum. The exception is bandleader Hamilton Leithasuer. If the rest of the band is a nod to the bygone era of the New York music scene, Hamilton is an emblem of its current manifestation: black, form fitting jacket; mousy, unkempt hair; a Fender Stratocaster, hung like a quiver, and played when, and if, he feels like it.

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