New album, LIVE UP!, is a selection of high-quality, previously unreleased live recordings, hand picked by Rochester NY’s psychedelic reggae road warriors Giant Panda Guerilla Dub Squad (GPGDS). The independently
Oakland based indie rock band Rogue Wave will release their highly anticipated 4th studio album, Permalight, on March 2, 2010 on Brushfire Records. The album was written and recorded by
Phish November 18, 2009 Cobo Arena Detroit, MI Set 1: AC/DC Bag, Foam, Stealing Time From The Faulty Plan, Bouncing Around The Room, Sample In A Jar, Kill Devil Falls,
Music Today has started sending out notices of regret and confirmation to those who entered the lottery for tickets to Phish’s New Year’s Run in Miami. How did you fare?
Now that John Kadlecik’s departure from the Dark Star Orchestra has been confirmed, the group will give fans a look at their new lineup. iClips will webcast tomorrow night’s Dark
Everybody Wants To Rule The World was a chart-topping single off the 1985 Tears For Fears album Songs From The Big Chair.
According to Roland Orzabal, Everybody Wants To Rule The World was written and recorded in two weeks and was the last cut to make the album. Good thing they got it in there.
The Contestants:
The Bad Plus: The Bad Plus show up a lot on Cover Wars, often leading off (because we use alphabetical order) and easing us in with instrumental renditions. This is the second song to be included in a Cover Wars from their 2007 album Prog (see also Life On Mars Cover Wars) Source: Prog
[audio:https://glidemag.wpengine.com/hiddentrack/wp-content/uploads/2009/11/badplusworld.mp3]READ ON for the scoop on the rest of this week’s contestants…
Warren Haynes has never hid his appreciation of the music of Deep Purple, so he must’ve been as happy as a kid in a candy store last night when he
This week’s edition of the “world’s only rock ‘n roll talk show” – Sound Opinions – features a rather interesting discussion on prog-rock. Sure the genre is loaded with bloated
Mike Greenhaus may not have gotten his start as a writer quite as far back as 15th century ancient Europe, but he is a Renaissance Man so-to-speak.
Having cut his teeth at just about every task under the jamband and indie sun, he now holds down the role of Executive Editor at Relix/Jambands.com, co-hosts the ever popular Cold Turkey podcast series, developed a burgeoning videocast for the forthcoming Relix website and continues to help lead both Relix and jambands.com into the next generation.
With all the positive changes a foot over yonder, Mike kindly offered to shed some light on everything from his humble beginnings, to the future of the Jammy’s, to the redesigns of both websites, to some tips for Larry David in this, one of our most insightful editions of Writer’s Workshop to date.
Hidden Track: For starters, could you explain how you got started writing about music and ultimately grew into the Executive Editor seat at Relix?
Mike Greenhaus: Well, I was always the type of dork that spent more time working on the school newspaper than playing hockey, but I guess I really started writing about music in college. I went to a small liberal arts school at a time when the jamband scene was coming into its own before the first Bonnaroo and got to interview String Cheese Incident, the Disco Biscuits, moe., Dispatch and Addison Groove Project as an editor at my college newspaper. Relix was my favorite magazine, and I also started writing reviews for Jambands.com, one if our websites, after sending in a blind pitch.
READ ON for more of Writer’s Workshop with Mike Greenhaus…
Todd Schafer of Railroad Earth will be joining Greensky Bluegrass for a small tour beginning Dec 1st running through Dec 6th in run through the eastern side of the U.S.
