2009

Panic/Allmans Tour Comes To An End: A Guide to the Sit-Ins From Each Leg

The Widespread Panic/Allman Brothers Band co-bill tour came to an end on Saturday night in Houston, where the two acts each made sure to end on a high note. Panic kicked things off and welcomed ABB guitarist Warren Haynes to the stage for covers of Bill Withers’ Use Me and Neil Young’s Cortez The Killer. Panic hadn’t performed Cortez in nearly 500 shows and they also dusted off their cover of Warren Zevon’s Lawyers Guns & Money.

For their set, The Allmans welcomed WSP guitarist John Bell and percussionist Sunny Ortiz out for Guilded Splinters. Ortiz also came out later in the set for a Franklin’s Tower that also featured Jimmy Herring on guitar. Panic bassist Dave Schools lent his skills to a version of Dreams that Oteil Burbridge sat out for. Herring returned to play on one more Liz Reed before both bands assembled during the encore to end the tour with Southbound.

All told, the memorable tour contained 20 shows split between two legs. There were sit-ins aplenty and here’s a recap of who played on what…

Members of Widespread Panic:

John Bell – Guilded Splinters (8/21, 10/6, 10/17), And It Stoned Me (8/22, 9/2, 10/10), Highway 61 Revisited (8/26, 10/9, 10/16), Can’t Find My Way Home (8/29, 10/12), It Takes A Lot To Laugh It Takes A Train To Cry (9/2, 10/14), Southbound (10/17)

Domingo Ortiz – Guilded Splinters (8/21, 10/6, 10/17), You Don’t Love Me (8/30), Franklin’s Tower (10/7, 10/17), Southbound (10/17)

READ ON for the rest of our guide to ABB/WSP sit-ins…

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Blips: Three Under The Radar Bands

In our never-ending quest to dig up some great bands that cost less than a corned beef sandwich at Katz’s Deli, we bring you another round of Blips. Blips highlights some great bands that are largely still in their larvae stage, but will soon morph into their beautiful butterfly. In this edition, we have some really cool new music, so take a sec, poke around their various websites, and see what you think of these three under the radar musical groups…

J. Tillman

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MySpace / Label Site

Today marks a first, as we feature the solo work of a member of a band that was one of our very first Blips acts, Fleet Foxes. Known best as the the drummer for the bearded folk-rockers, J. Tillman has been steadily recording and putting out albums for the last five years, but it’s only been recently that he’s started to gain the attention he deserves. Tillman managed to put out two albums full of his hauntingly baritone vocals and sparse sleepy-folk arrangements this year with Vacilando Territory Blues and Year in the Kingdom – the latter featuring some backing vocals from his current band mates.

Tillman, who seemed to be playing at every SXSW showcase last March, has crafted a sound that doesn’t fall to far from the Nick Drake tree, and is currently providing me the perfect listen as we head deeper in the fall. J. Tillman hits the road for a cross-country headlining tour this November.

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READ ON for two more unheralded Blips-worthy artists…

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Televised Tune: On the Tube This Week

Dave and Jay each bring out a big musical gun this week. Leno welcomes Rod Stewart on Monday night and Letterman counters with a repeat featuring Paul McCartney on Wednesday’s

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Blue Cheer: Blue Cheer Rocks Europe

There's a handful of bands out there whose influence has been felt far and wide decades after they made their mark, yet they never enjoyed significant commercial success. The Velvet Underground comes to mind. So does Nick Drake. There are others, but in heavy rock circles, one of these bands rises above all others – Blue Cheer.

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Bruce Springsteen & The E Street Band: Giants Stadium, East Rutherford, NJ 10/9/09

Expectations ran understandably high for the last-ever concert at Giants Stadium.  After all, the show was added after the third had been billed (and subsequently sold-out) as the “final show.”  We already knew that we would be hearing “Born In The USA” in its entirety once again and that Bruce would play “Wrecking Ball” once again at some point in the set.

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The Flaming Lips: Embryonic

This is a huge organic blob of an album.  The Flaming Lips have never been shy about their grandiose tendencies (Zaireeka) and this one flashes them all, making it impossible to absorb upon the first few listens.  Embryonic is a double disk in a day in age when singles seem to be clocking in at less than 2 minutes, a bit out of place in the time realm, but smack dab on the cutting edge when it comes to the music.  Chock full of sound Embryonic bombards the listener with twitches and musical gleeks over distorted drums strings and chimes.  It is an audio genetic soup in there, and that’s what the album seems to be getting at.

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The Week That Was: A Slow Roller

Usually we find it hard to keep up with grueling pace of Rocktober, but that didn’t quite happen this week. In one of the slowest news weeks in recent memory,

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Friday Mix Tape: CMJ 09 Preview

Today’s Friday Mix Tape represents a special edition of sorts, as we head into another year of New York City’s music industry extravaganza next week, the CMJ Music Marathon and Film Festival. The CMJ Fest provides industry mavens with a look at what is next on the indie music front and always spawns a good dozen or so big name acts for the years to come.

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What I find amusing about the showcase is that in order to weed through the literally thousands of bands vying for slots, the evaluation process essentially becomes an exercise in 15-second music criticism.

In fact, once an acquaintance asked if I wanted to make some extra cash by using his login and get paid fifty cents per album/demo to provide a few words and a thumb up/thumbs down as a first line of defense. It wasn’t actually for CMJ, but rather another one that involves a lot of BBQ. Anyway, this dude told me his friend made over a $1,000 doing it the year before, so you do the math. I never did it, hence I cannot actually say for sure if that actually occurs or not, but given the sheer numbers, it is probably pretty spot on. Really, what other options are there; hire an army? Regardless, these folks do a pretty darn good job at it one way or another.

Anyways, after playing a game of darts with the CMJ Music Festival’s easy-to-read lineup, we’ve sorted through and come up with ten pretty damn good songs from some of the most compelling bands making the rounds. Keep in mind; this is just a tiny sample of the full list, so if you like digging up new music, poke around the lineup and drop by the various MySpace pages. You really can’t go wrong.

READ ON for the playlist and to listen to the mix…

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Festival 8 Update: House of Live Phish & More

The Phish – Festival 8 website has been updated with a post about all of the cool elements they are building on the site. We’re particularly interested in checking out The Overlook and The Coil which will feature a Bloody Mary Bar, a movie area showing vintage Halloween classics, archival Phish video, World Series and NFL games, a 100 foot Ferris Wheel and an internet cafe.

Here’s all the details…

THE OVERLOOK + THE COIL – Right at the entrance to the concert field is an elevated area partially covered by spectacular Olympic Peak Tents that looks out onto the lush concert field. Here at the Overlook you’ll get the chance to enjoy a particularly bloody mary at the Bloody Mary Bar, a movie area showing vintage Halloween classics, archival Phish video, (not to mention The World Series and NFL games), a massive 100 foot Ferris Wheel and an internet cafe (though wi-fi will be provided throughout the site). The Overlook will be opened from 8 am to 2 am each day of the festival, and will also be open Thursday, October 29, beginning after Soundcheck. Between The Overlook and the stage you’ll find The Coil, a large swirled structure where Festival 8 turns and returns, host to multiple art installations and interactive works galore. When the sun goes down, look on the outskirts of The Coil for an explosive group of fire artists bringing the HEAT (that has TWO meanings!).

READ ON for the rest of the features being built at the F8 site…

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