2010

For this month’s Track x Track, welcome guitarist/singer/songwriter Giles Corey of Chicago blues meets funk act Lubriphonic who will share an anecdote or factoid about every track on their latest release, Soul Solution.

Mixin’ in the Kitchen – Wrote this in 20 minutes. I know it was that long, because at the time I was teaching guitar at a music store, and one of my students was a no show, so I wrote it in between lessons. I remember when my next kid showed up I was playing the chord riff, and he said, “Wow, that’s awesome! Who is that?” So, I decided it was worth showing to the rest of the band.

That song is a live staple for us because it’s probably the most “pop” friendly thing we do. Johnny Cotton, as he always does, wrote some of the catchiest, funkiest, hornlines around. Joewaun Scott and Rick King on drums turned the riff and melody into something really infectious. This is how all of our songs worked on that album– I came in with the skeleton, Rick and Joewaun fleshed it out, and our horn section sealed the deal.

READ ON for the lowdown on each track from Lubriphonic’s Soul Solution…

As we listen back to selections from live shows of the previous week, we’ve got solo performances from Reid Genauer and Panda Bear, Beatles and Floyd covers from Jackie Greene and The Machine plus Umphrey’s McGee constructing an almost half-hour combination of an original and a jazz cover.

[Thanks to Craig T for this week’s photo]

Artist & Title: Jackie Greene – Taxman > Mexican Girl
Date & Venue: 2010-01-16 Catalyst, Santa Cruz CA
Taper & Show Download: lou

I have featured Jackie Greene a couple of times in this feature and I have always selected tracks from his incredible 2008 album Giving Up The Ghost. This week, I have selected a combination of a Beatles cover and the fan-favorite original Mexican Girl. Greene is currently in Jamaica playing with both The Radiators and Ratdog. When he gets back, he does 11 dates in the US that takes him from Utah to Brooklyn.

[audio:https://glidemag.wpengine.com/hiddentrack/wp-content/uploads/2010/01/jackiesauce.mp3]

READ ON to stream the rest of this week’s selections…

Change is always scary, but a painful process of upheaval can often lead to vastly improved circumstances. Such is the case with Dweezil Zappa’s absurdly talented septet, Zappa Plays Zappa. When perpetual Zappa purveyor Ray White unceremoniously left the band last spring, he left a huge vocal gap – he did, after all, lend his unmistakable vocals to dozens of Zappa classics for decades. Having severed ties with both White and another pillar of Zappadom, vocalist/saxophonist Napoleon Murphy Brock, ZPZ faced the unenviable task of finding someone to absorb the often complex and dynamically demanding vocal aspect of their shows.

Enter Ben Thomas, a guy who, even when performing, looks a little more like a bartender than lead singer for one of the world’s best bands. Able to emulate a wide range of vocal styles and even infuse his own ideas into the proceedings, Thomas has enabled the band to draw from a wider swath of Zappa material than ever. This has led to drastically different set lists and a rapidly growing community of fans that rabidly discuss every move the band makes. Dweezil himself has embraced the role in the spotlight, giving back the obvious love that the fans have for the music.

Music fans new and old hunger to hear Zappa’s music presented in a live setting, and it’s no wonder. On stage is where the material is taken to the highest peaks and is able to inspire the most magnificent feats of musicality. The audience at Raleigh’s Lincoln Theatre stood enraptured for the majority of the 2-plus hour show – you couldn’t tear them away from the stage for anything, and there was little shuffling amongst the crowd, which was pleasant. The show was comprised of one jaw-dropping moment after another, and most of the overwhelmingly attentive audience left baffled by the level of skill displayed throughout.

READ ON for more from Bryan on Zappa Plays Zappa…

This Saturday night, New York City’s Sullivan Hall hosts the tenth annual Freaks Ball, aka Freaks Ball X, featuring longtime Freaks’ favorite Scott Metzger with drummer Eric Kalb and bassist Ron Johnson, New Jersey natives The Black Hollies and roots rocker Anders Osborne starting around 9PM. Freaks Ball X celebrates ten years of the influential NYC-Freaks e-mail list which has helped launch the careers of Robert Randolph, The Duo and the American Babies among others in its decade-long existence.

We recently spoke with NYC-Freaks list creator – and one of the original Hidden Track contributors – Aaron Stein about how the e-mail list started, how the first Freaks Ball came together, his favorite Freaks Ball moments and much more. Here’s what Aaron had to say…

Scott Bernstein: How did the NYC-Freaks e-mail list start?

Aaron Stein: The story is long and not that interesting. The back story was moving down to the area, living way out on Long Island for graduate school and having to schlep into the city to see music. I knew a handful of people who were occasionally interested in seeing live music with me, but more often than not I went by myself or my girlfriend/wife. After a while I’d start to recognize people at shows and it was quite clear there was a community out there waiting for something to bring it together.

There was a small number of people on the WSP list (Spreadnet) who lived in the city and we got together once or twice or bumped into each other at a few shows in the city, or pre-Panic get-togethers, etc. Finally, one night in January of 2000, we all went out together to see the Justice League of America (w/ Jimmy Herring, T. Lavitz et al) at Wetlands and had a raging, debaucherously good time. I took one day to sleep it off and then started the Freaks list (on the now-gobbled up eGroups site). Around the same, other regional Panic fan list groups were popping up in Atlanta and Chicago.

Even though the list started with a bunch of Widespread fans, I think one of the keys to what it became and what it is and isn’t today is that I made a conscious effort not to make it the “NYC Panic fans” — it was the NYC Freaks from day one. The second major factor in what made the Freaks list the Freaks list is that it wasn’t *just* an email list with the normal shade of anonymity and blowtorching of each others opinions. The point of the list was to get together with other people in the real world and see live music.

READ ON for more from Aaron about Freaks Balls’ past and future…

To promote Big Red’s upcoming tour, the Phish YouTube channel has been updated with two classic Trey videos – one of 8 Foot Florescent Tubes debuting First Tube at Higher