2010

Last Week’s Sauce: November 8th – 14th

I apologize that you have not seen a new addition of Last Week’s Sauce in nearly a month, but I have recently switched coasts and am now a resident of San Francisco. I’m settled in and excited to get back to my regular HT columns. This week, we’ll take a listen to a new song from the moe. side project Disgrace, Keller Williams, Jimmy Herring Band and a great acoustic segment to close from Little Feat members Paul Barrere and Fred Tackett.

A reminder, you can download all of this week’s audio in one easy to listen to MP3 that we call the Last Week’s Sauce Podcast, click here to download.

[Thanks to RobC for this week’s photo]

Disgrace – Little Miss Cup Half Empty
Date & Venue: 2010-11-09 Southgate House – Newport, KY
Taper & Show Download: K.C. Cadwallader

moe. has got a new side-project titled Disgrace that features Al, Chuck and Rob on acoustic instruments. In addition to a lot of moe. songs and covers, the project debuted an original at this Kentucky show titled Little Miss Cup Half Empty. Disgrace [tour dates] plays tonight at 8×10 in Baltimore, MD.

[audio:https://glidemag.wpengine.com/hiddentrack/wp-content/uploads/2010/07/disgracesauce.mp3]

READ ON for tracks from Keller Williams, Jimmy Herring Band, and the Paul Barrere and Fred Tackett Acoustic Duo…

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HT Picture Show: The Mike Gordon Band @ The Fine Line Music Cafe

Mike Gordon Band @ Fine Line Music Cafe, November 16

Words and Images: Joe Ringus

It’s not often a member of Phish graces Minnesota with their presence. Despite the infrequency of band member’s visits, the state’s fans always show their appreciation when one of these performances occurs. This past Tuesday night, the Fine Line Music Cafe in Downtown Minneapolis played host to bassist Mike Gordon and his band as they made a mid-week stop in the bitter north. Fans responded by nearly packing the 769-capacity venue.


The MGB’s first set opened up with the sizzling first track from Moss, Can’t Stand Still, and never let up. Early on, Gordon invited the crowd to make music with him by handing his kaossilator effects pedal to the folks in the front row to pass around. Between lasers and the stage lights, Mike Gordon and company made the most of playing the small bar.

The jams were thick during the second set which included an Alanis Morissette cover, a segue sandwich of J.J. Cale’s Ain’t Love Funny with drummer Todd Isler’s original Kryermaten as well as a staple of the Phish repertoire – a cover of Son Seals’ Funky Bitch. Mike and his band even treated fans to their version of Sailin’ Shoes by Little Feat.

Set One
: Can’t Stand Still, Sound, Suskind Hotel, Be Good And You’ll Be Lonely, Middle Of The Road, Walls Of Time, Radar Blip > Dig Further Down

Set Two
: Idea, Lit O Bit, Hand In My Pocket, Ain’t Love Funny > Kryermaten > Ain’t Love Funny > The Field > Kryermaten > Ain’t Love Funny, Funky Bitch, Pretend, Somaila, Jones, Sailin’ Shoes, Hap Nappy > Rock Me Baby

Encore
: Sugar Shack

[Setlist via Mike-Gordon.com]

Before the night was finally over, the group encored with Mike’s lone track from Joy, Sugar Shack, which sent the fans into the cold Minnesota night with huge smiles on their faces.


READ ON for the rest of Joe’s fantastic MGB photos…

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BG: Young’s LincVolt To Blame For Blaze

Last week we reported the unfortunate news about the three-alarm fire that severely damaged parts of a warehouse housing Neil Young’s personal memorabilia, vintage cars and other materials from throughout

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Video: McLovins – Making of Cohesive

Longtime HT faves The McLovins will perform a free, all-ages show at Brooklyn Bowl this Sunday, November 21 at 2PM. Phish lyricist Tom Marshall and former Spin Doctors guitarist Anthony

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Intermezzo: Snowmass Adopts Panic Song

By a vote of 4-0 the town council of Snowmass, CO adopted Widespread Panic’s Big Woolly Mammoth as the village’s official song. The motion was proposed by councilman, and Panic

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Howard Stern Chats With Jay-Z & Billy Joel

If Howard Stern doesn’t re-sign with SiriusXM after his contract expires next month, at least he went out with a bang. This week, the shock jock completed fantastic interviews with

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3GM: Across The Digital Divide

Several weeks ago, in Postcards From Page Side, HT Featured Columnist Brian Bavosa looked at the influence technology has had over the past decade, which sparked a debate – is today’s music technology creating too much noise or making music better? Here’s what 2/3rds of Three Grown Men had to say…

Jonathan Kosakow:

Along with the increase of technology – Email, cell phones, iPods and the Apple Genius bar – comes a flood of useless information, the likes of which would’ve drowned Noah and sunk his beloved Ark. Included in this deluge are camera-phone concert videos, angry user comments, made-at-home techno and YouTube phenoms.  At times – and by that I mean ALL the time – it’s just too much for one person with a craving to know more to handle.


People want to be heard, and granted there are some talented, un-famous hobbyists out there who deserve to be heard, but I’d just as soon ignore them all and give more listening time to the dedicated artist and the impassioned geniuses.  People like Jeff Tweedy or Thom Yorke who break new ground and make our generation musically relevant.  Just because anyone can fart into a Mac Book and run it through auto-tune doesn’t mean they necessarily should.  We all laughed at the “What What In the Butt” song, but can any of us remember the name of the guy who made it?

Conor Kelley:

True, we have almost unlimited access to information now. But, try to remember, the recent onslaught of attainable data applies to both good and bad information. I’m a firm believer that the law of conservation of mass applies to bullshit. Meaning that steaming piles of BS can be neither destroyed or created. There will just always be a fixed amount of it out there in the world. Sure, YouTube has allowed us to feast our eyes on the talentless and delusional, but human beings have always been talentless and delusional (This probably doesn’t apply to you reader. Keep working on that didgeridoo concept album. It’s sounding really good!).

READ ON for more of Three Grown Men’s debate…

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Video: Leroy Justice – Boardwalk Empire

In the weeks leading up to the launch of the new Scorcese-directed hit show, Boardwalk Empire, HBO invited the Leroy Justice boys to write and record a song for consideration as the

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Postcards From Page Side: Apple Pie

This week Brian Bavosa asks us to go interactive with PFPS’ first poll as we examine The Beatles as they finally join Apple and iTunes, and if it is a good or bad thing within the context of their musical legacy…

After hotly debating what to focus on for this week’s installment, I finally decided on Tuesday’s announcement by Apple, Inc. that it had finally acquired the complete collections of the biggest selling band of all-time, The Beatles for iTunes purchase.


While certainly big news on the surface, this poses a much larger question not only about technology and its progression (something I talked about last month), but also the fact that The Beatles remain relevant — and prevalent — nearly 60 years after their debut notes graced the world’s stage.

This week’s column also allows me to encourage all of you readers to participate and comment — in true Hidden Track fashion — in the poll below or comment section, another aspect of Postcards that I intend to incorporate every once in a while.

So, the clear argument seems to be divided into several factions regarding today’s announcement by Apple. In one corner, you have the baby boomers, who actually grew up with The Beatles, still cherish their vinyl copies of the classic albums and are seemingly scared by change, even if it is one that expands their beloved band to a whole other generation.

READ ON for more of this week’s Postcards From Page Side…

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