As we continue to shake off today’s Super Bowl stupor, we thought we’d turn to the lovely ladies of Those Darlins to help us get through the day. Last week,
Sir Elton John will be all over the small screen this week with a series of appearances to promote…the adoption of his baby? It’s more likely Elton is promoting his World
The Sasquatch! Festival will return to The Gorge in George, WA over Memorial Day Weekend boasting a lineup jammed packed with indie faves who are on major labels such as Wilco, the Flaming Lips (performing The Soft Bulletin plus more), Modest Mouse, Death Cab For Cutie, Chromeo, The Decemberists and the Foo Fighters.
Four-day all-inclusive passes are currently available for $285.
[via Pitchfork]
READ ON for the full initial lineup…
Bamboozle Festival, the annual three-day music extravaganza scheduled for April 29, 30 The and May 1 at the New Meadowlands Stadium in East Rutherford, New Jersey, has announced additional main
Atmosphere, the preeminent independent hip-hop duo comprised MC Slug and producer Ant, will be releasing their most realized, streamlined effort to date, The Family Sign, due April 12th on Rhymesayers
American music fans have an unprecedented opportunity to hear two masterful groups explore the common ground where bluegrass and jazz meet when the Del McCoury Band and the Preservation Hall
It may have been a cold night on the streets of New Orleans but inside the legendary Howlin’ Wolf, it was hot with the sounds of the soulful rocking of Devon Allman’s Honeytribe. Traveling approximately twenty-two hours just to rock Louisiana, you couldn’t tell that these guys were actually on the verge of exhaustion. Playing with an uninhibited fire, this is what rock & roll is all about. If this band didn’t cause a jolt of energy in your bones, you weren’t listening.
Where previous releases found the band plodding along with ten to twelve minute meditations about murderous butchers, mysterious fowl, and shape-shifting lovers, The King Is Dead hearkens back to the earlier days of the band where Colin Meloy and company littered albums like Castaways and Cutouts with compact, yet charitably worded, pastoral folk rock. Boosted with appearances by alt-country superstars Gillian Welch and David Rawlings, and graced with guitar stylings courtesy of the legendary Peter Buck, this album gallops along like a pleasant country breeze, projecting an aura of calmness and satisfaction and providing a concise rejoinder to the stylized grandeur of releases like The Tain EP and The Hazards of Love.
Let England Shake continues where PJ Harvey's White Chalk let off– not in sound but in aesthetic endeavor. It’s a daring step forward for Harvey. Dissenters may cite alienation as their key grievance for this new era in Harvey’s career, wishing for a return to the lower register singing and gripping guitar playing that characterized much of her 90’s work. In many ways, they’re not wrong to feel frustrated at Harvey’s new sound; however, reinvention is central to her artistic process, and to deny expansion is limiting and hampers potentially new avenues for Harvey’s self expression.
While the Packers take on the Steelers in the Super Bowl, our thoughts at Hidden Track headquarters turn to April 2nd thanks to two big announcements that came down this
