
Ana
Hadestown is unlike any other musical you might have seen in the past ten years. It’s not based on the songbook of some famous artist. It’s not an adaptation of yet another well-known Disney movie. Hadestown is in a class of its own, and as such it’s often difficult to describe. Sure, it’s about Orpheus’ descent into the underground to rescue Eurydice from Hades’ grasp, but what makes the show so successful is its employment of ambiguity throughout the whole ordeal.