Jane’s Addiction Adds Dave Sitek To Production Team
In a statement released today, Jane’s Addiction announced it has added Dave Sitek to its creative team. Sitek, who has done production work with TV on the Radio, Yeah Yeah
In a statement released today, Jane’s Addiction announced it has added Dave Sitek to its creative team. Sitek, who has done production work with TV on the Radio, Yeah Yeah
This spring Florida’s Surfer Blood and Texas’ …And You Will Know Us By The Trail of Dead are hitting the road for a short US tour. AYWNUBTTOD’s new album titled
Gerry Rafferty has died aged 63. The ‘Stuck In The Middle With You’ and ‘Baker Street’ singer/songwriter died this morning (January 4) after a long illness, reports The Guardian. His
The Original Mono Recordings of Bob Dylan are almost as much of a revelation as those of The Beatles, albeit for different reasons. The Bard from Minnesota never took recording as seriously as the Liverpool quartet, but his music lends itself better to the vintage recording technique. A fifteen-track collection culled from his first eight albums illustrates why.
Considering the fact that this supergroup hasn't really existed for three years, this DVD release of a 2005 Velvet Revolver performance shows that for a short period, these guys were a real force to be reckoned with. The set captures the band at that brief moment in time when they were on the top of their game and on top of the world: their debut album Contraband had just hit #1, and all band members were sober (something which was soon to change as their tour continued).
In anticipation of their new album to be released in the spring, Explosions in the Sky will be playing a one off show at RadioCity Music Hall. Tickets go onsale
The Allman Brothers Band will be returning to the Beacon Theater 10,11,12,14,15,17,18 and 19. The run of shows have now been expanded by an additional week. The group also will
Widespread Panic will officially kick off its 25th anniversary with a performance at University of Georgia in Athens, GA with a performance at the Classic Center on February 10 and
We’re barely days in 2011, and while we continue to find confetti in our pockets, and clean up the empty bottles from our New Year’s Eve celebrations, the Disco Biscuits’
For the second consecutive year at Hidden Track, we concocted our innovative little experiment for the year-end Best Albums list. Instead of picking the old fashioned way – subjectively – we opted for something a little different: a collaborative, collective list that incorporates the opinions of everybody here at HT.
To begin, we devised an all-encompassing list of well over 100 nominees, whereby most everything our contributors recommended made the list. Then we invited our crew of writers to independently and blindly vote on the whole list on a scale of 1 to 20 (20 = five stars). We ended up with varying degrees of familiarity with the nominees as some folks voted on just about everything, while some just a few. From there, we deployed our egghead algorithm for rating albums: (two times the average rating) + (the total number of votes). At that point, we took the top 25 highest scores and presto: the Hidden Track 25 Best Albums of 2010. No bullshit, no big opinions; just the results.
We’re on to day two of on our week long countdown, let’s check out albums number 16-20…
20) Marco Benevento – Between The Needles & Nightfall
Key Tracks: Greenpoint, Between the Needles, Numbers
Sounds Like: Brad Mehldau meets Tortoise
The Skinny: Marco Benevento’s latest solo record is the prolific keyboard player’s most impressive release yet. Bassist Reed Mathis’ sense of space and harmony along with drummer Andrew Barr’s subtly explosive poly-rhythmic playing lay the foundation for Benevento’s hook-laden melodies, shape-shifting piano, and circuit-bent sounds. While his first two studio releases were solid, Between the Needles and Nightfall has a cohesiveness not found on either that allows Marco’s songwriting to truly shine. The one-two punch of Greenpoint and Between the Needles at the front of the album set the overall tone for the album, while Marco’s solo at the end of Numbers highlights the whole thing.
READ ON for the next four albums in our countdown…