2011

Cover Wars: New Year’s Day Edition

Welcome to a new year of Cover Wars. I could think of no better cover tune for the occasion than this 1983 U2 classic. New Year’s Day has quite the resume appearing in both Rolling Stone’s and Pitchfork’s Top 500 songs of all-time. We’ve got a good collection of covers this week, one of which was played just a couple of days ago, so enjoy and don’t forget to vote at the bottom.

Cover Wars

The Contestants:

Though this was not the first time The Dresden Dolls covered this song, it certainly is the most recent. The band put together quite the New Year’s Eve setlist this year for their show at The Warfield in San Francisco. There is of course, the celebratory sounds of balloons being popped on the recording. Source: 12-31-2010

[audio:https://glidemag.wpengine.com/hiddentrack/wp-content/uploads/2010/07/dresdenday.mp3]

Video of the performance:

READ ON for more covers of New Year’s Day.

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Tour Dates: Dispatch Returns

Back in 2007, Dispatch shocked the world when they reunited for three benefit shows at Madison Square Garden that sold out within hours of going on sale. The jam-pop trio,

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Hidden Flick: X and Why

[Originally Published: 10/26/2010]

Zelig, chameleon, “I’m 12 years old. I run into a Synagogue. I ask the Rabbi the meaning of life. He tells me the meaning of life. But, he tells it to me in Hebrew. I don’t understand Hebrew. Then he wants to charge me six hundred dollars for Hebrew lessons.”

Rich sounds of some subterranean nature, specifically the voice, guitars and drums as it flows in the design, a sublime addition to a fine piece of cinema, an engaging slice which subtly celebrates the hidden truths of daily sounds, shadowing an almost silent unheard music captured by the Masqued Wind and carried off to another breathtaking locale.


And within the Unheard Music, the silent sounds of the daily ritual that you and I share, we toil amongst ourselves, neither forgetting or acknowledging each other’s existence, until we are free…a moment and then nothing, glass shatters beyond this window and the earth winds to a halt. Beyond this window something unknown is watching you and me. There’s laughing inside, but we’re locked outside the public eye. X marked the spot.

We venture forth and move backwards through time and space. Most people are unaware that on the initial release of London Calling, The Clash’s landmark double album, their hit single, arguably the most commercial piece of old school ear candy the band would ever record, wasn’t even listed on the sleeve. Train in Vain appeared as a hidden track, the last song on side four, kicking in after Revolution Rock, and solidified the legendary status of the album and the band. The gesture also spoke volumes about the post-punk quartet’s confidence that a) they could record a cool, timeless track, and b) they didn’t need to shove the product down the consumer’s throat by highlighting its appearance.

This punk mentality definitely found a home on the West Coast of America, as well. Many punk bands flourished in their own artistic way in the 1970s and 80s, but arguably no other Los Angeles punk rockers had the enduring longevity as X. Indeed, 30 years on, they celebrate their anniversary with a holiday run beginning in December. Before each show, the band will screen a film, this week’s Hidden Flick, X: The Unheard Music.

READ ON for more on this week’s Hidden Flick…

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Unreleased Johnny Cash Songs To Be Released

Some previously-unreleased songs from Johnny Cash will see the light of day very soon. A new Johnny Cash compilation titled Bootlegs 2: From Memphis to Hollywood will be a two-CD set and will hold

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Tori Y Moi Announces Spring Tour

Columbia, South Carolina’s Chaz Bundick (aka Toro Y Moi) rose to the fore of the music blogosphere in summer 2009 when he and a few peers made their hazy bedroom

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Cold War Kids: Bijou Theatre, Knoxville, TN 12/3/10

Despite incessant howls from the largely intoxicated audience (calling for staple Cold War Kids tracks like "Saint John"), the band remained undeterred in their forward thinking approach, bathing the Bijou audience (including a few rowdy members determined to traverse the stage barrier) in spaced-out arena-pop warmth.

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Disco Biscuits: Tower Theater, Philadelphia, PA 12/30/10

With hundreds of multi-colored balloons waiting at bay near the ceiling of the Tower Theatre, fans patiently awaited the arrival of the Disco Biscuits as they returned to Philadelphia the night before New Year’s Eve to close out what has been a fantastic 2010, and a hectic final week, with back to back nights in their hometown.  To complicate matters in a time of great celebration, the band experienced a devastating blow when drummer Allen Aucoin was treated and hospitalized earlier in the week for a serious asthma attack thus being sidelined for the New York and Philadelphia string of shows.

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Mikey Jukebox: Mikey Jukebox

On his debut solo album, Mikey James rebrands himself under the pseudonym Mikey Jukebox and reinvents himself by packaging a disparate collection of influences. It’s not surprising, given the artist’s background. James cut his teeth as a drummer for post-punk band Longwave and a frontman for punk rockers The Blood. That work is contrasted by endeavors as far from punk as possible – fronting DJ Dick James/Footage and power pop band The Mercies.

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