Railroad Earth and Bruce Hornsby & the Noisemakers will join forces this summer for a string of dates along both coasts. Being dubbed as the “Noise of the Earth Tour,”
Dear Miss Lonelyhearts, CWK's fourth release, finds the band continuing to look forward rather than imitating their older music. Once again, the album is too slick, with only hints of the grungy garage minimalism of their grand debut Robbers & Cowards. The good news is that they pull off the pop music much better this time. Yes, the drums are played in time, Willet’s vocals are in key, and the songs are more streamlined and predictable, but at least this time they have hooks. At least this time around, the pop songs are interesting.
With 82 tracks carefully collated over four CDs with a triple fold package designed to hold them (alongside the accompanying 116 page booklet), the Stephen Stills anthology Carry On is borderline cumbersome but ultimately enlightening, as much perhaps for the light it sheds on such history-spanning collections as on this particular artist. Like any great album, the continuity of the vivid graphic design of Carry On mirrors that of the music inside.
Any music fan with knowledge of San Francisco’s turn-of-the-nineties “acid jazz” scene knows that Charlie Hunter and Scott Amendola share a lengthy and profound musical history. From the much-loved T.J. Kirk project to several of Hunter’s own records and other one-off collaborations, the pair has met frequently in their orbits through the music industry. In October 2012, they released a duo album (Not Getting Behind Is The New Getting Ahead) and they’ve been touring behind it since. Billsborough Music Hall in Hillsborough, NC (just outside Chapel Hill) hosted Hunter and Amedola on a bustling Friday night and found the pair in a loose, jovial mood.
