2013

Official Video: Trey Anastasio Band – Architect

Scott Bernstein April 12, 2013 2 Comments

Watch a live performance of Architect from Trey Anastasio’s Jan. 23rd show at The Cap

Steely Dan Teases Tour on Website + First-Ever Utah Show

Scott Bernstein April 12, 2013 63 Comments

We’re standing by for a formal announcement of Steely Dan’s summer tour

Anders and Luther Ramble w/ Phil @ Terrapin Crossroads

Scott Bernstein April 12, 2013 No Comments

Setlist, recap and audio from the Spring Ramble featuring Phil Lesh, Grahame Lesh, Jason Crosby, Anders Osborne, Luther Dickinson and Tony Leone

Couch Tour Alert: Umphrey’s To Stream UMBowl IV

Scott Bernstein April 12, 2013 No Comments

You can watch UMBowl IV from the comfort of home on April 26th

HT Interview: Jason Crosby – Way Out West

Chad Berndtson April 12, 2013 6 Comments

Jason Crosby talks to us about playing with Phil Lesh and Bob Weir, covering Beck and much more

Video: Eleanor Friedberger – Stare At The Sun

Jeffrey Greenblatt April 12, 2013 1 Comment

Eleanor Friedberger of Fiery Furnaces shares the music video for the lead single off her new solo album

Televised Tune: Shuggie Otis on Jimmy Fallon

Scott Bernstein April 12, 2013 2 Comments

Shuggie Otis on Fallon, Big Day Out on Palladia, John Legend and The Roots on Austin City Limits and more music on TV this weekend

Stephen Stills: Carry On (Box Set)

Doug Collette April 12, 2013 No Comments

With 82 tracks carefully collated over four CDs with a triple fold package designed to hold them (alongside the accompanying 116 page booklet), the Stephen Stills anthology Carry On is borderline cumbersome but ultimately enlightening, as much perhaps for the light it sheds on such history-spanning collections as on this particular artist. Like any great album, the continuity of the vivid graphic design of Carry On mirrors that of the music inside.

Cold War Kids : Dear Miss Lonelyhearts

Jeremy Lukens April 12, 2013 No Comments

Dear Miss Lonelyhearts, CWK's fourth release, finds the band continuing to look forward rather than imitating their older music. Once again, the album is too slick, with only hints of the grungy garage minimalism of their grand debut Robbers & Cowards. The good news is that they pull off the pop music much better this time. Yes, the drums are played in time, Willet’s vocals are in key, and the songs are more streamlined and predictable, but at least this time they have hooks. At least this time around, the pop songs are interesting.