The Good Shit is a new Glide column which revisits and weeds out the televised and tubed trash of the prior week and highlights the good shit you might have
On the coldest night of the year in the winter wasteland that was once Boston (minus 5 degrees), Sturgill Simpson, arguably one of the music industry’s hottest acts, rolled into
The historic Lobero theater in Santa Barbara was buzzing with excitement on during the world premiere of the rock documentary about the unlikely rise of the band Kansas to superstardom
[rating=9.00 Labeling Diamond Rugs a “supergroup” is almost too small a concept to hold the explosiveness of what they create together. Though each part of the whole came from an
No matter how long and prosperous one’s life may be, eventually it must end. Leonard Nimoy passed away the morning of Friday, February 27 as a result of COPD—a byproduct
[rating=9.00] On Rose Mountain the Screaming Females explore new terrain (for them) as the New Jersey based trio go cleaner, focusing on verse-chorus-verse song structure and melody. In moving towards
Los Angeles band Francisco The Man brought some heat to Allston Rock City’s Great Scott this past Sunday evening. On tour in support of their first full-length LP Loose Ends,
As depicted in its chronological delineation of recordings, True to the Blues illustrates how the recently deceased Johnny Winter became one of contemporary blues’ most formidable guitar heroes. Rising above
[rating=7.00] Colin Hay, best known for his role as the singer for the immensely popular Australian pop rock band Men At Work (“Down Under”, “Who Can It Be Now?” and
[rating=8.00] “Quirky” is a word that has often been used to describe the North Carolina-based chamber/pop band, Bombadil. But their fifth studio release, Hold On (Ramseur Records), doesn’t include the
