On his new record Often in the Pause (released 5/6/16), Seattle-based singer/songwriter Kris Orlowski, continues to explore the themes of authenticity, loss, and a search for connection that has always been
[rating=8.00] A core member of Broken Social Scene, Brendan Canning takes an easy and unassuming approach to his third solo album titled Home Wrecking Years. It’s an album informed by
Plus, a 24 reunion of sorts of happening on ABC, and Woody Allen’s new TV series looks like it might actually be kind of good.
At the Paramount Theatre in Rutland Vermont, the third stop of an abbreviated early fall tour, Les Brers suggested in no uncertain terms they are well on the way towards
The Hopscotch Music Festival, now seven years old, has had its share of growing – and not growing – pains through the years. By many accounts, the festival, its fans,
[rating=7.00] Dex Romweber is a kind of mysterious chameleon, never ceasing to morph his sound. And this has never been truer than on his newest record Carrboro, a warm collection
In the newest installment of Wannabe, artist Chris Prunckle reviews How To Dream Again, the new LP from Oklahoma Americana artist M. Lockwood Porter, in his signature six-panel comic strip form. Click on the image for full resolution
It’s been a almost two years since The Mavericks have released their 2015 album Mono, and they did plenty of touring behind that. Now the band is about to release
Fenchkiss Records and The Hold Steady have announced the long awaited release of Deluxe Editions of the New York-based rock ‘n’ roll band’s milestone first two LPs, Almost Killed Me and Separation Sunday.
PHISH has announced the release of its new studio album, Big Boat. Released via the band’s own JEMP Records, Big Boat arrives on Friday, October 7th. The Bob Ezrin produced album was announced last
