[rating=7.00] Brooklyn-based band The National have been making music together for almost two decades. The 2007 release of Boxer brought the band both widespread critical acclaim and increased exposure. Following
The new adaptation of the Stephen King novel is competent but ultimately lacking.
[rating=9.00] Upon its release from the vault, Neil Young’s Hitchhiker resonates with the purity of the solo acoustic setting in 1976 which it was recorded. And the album is both provocative
[rating=8.00] The multiple virtues of Gregg Allman’s final album, Southern Blood, are rooted in the pragmatism he displayed by enlisting his own band for the project. Add to that the
[rating=8.00] Over the last three decades, New York pioneers Living Colour have made a habit of defying convention, fusing unrelated genres, and blazing new trails for their unique brand of
[rating=8.00] Now with a discography of fourteen albums, Charlie Parr is a bonafide contemporary bluesman who refuses to wallow in the downs he encounters. In fact, he uses the songs
If you’ve followed Glide Magazine in recent years you might know that one of our absolute favorite bands is a South Philly outfit by the name of Low Cut Connie. The group
Earlier this year, the Portland, OR-based Blitzen Trapper accomplished a unique feat for a rock band who has been releasing albums and touring for the better part of two decades:
Fresh off their highly acclaimed summer tour, DEAD & COMPANY has added a fall leg to its 2017 tour beginning with two shows at Madison Square Garden on Sunday, November 12, and Tuesday, November
Mixing his indie-folk roots with pop hooks and sparse, airy production, Nashville-based songwriter, multi-instrumentalist and producer Paul Johnson releases Constellation on 10/6/17, his second LP as Canyon City. The record arrives one year after
