Shannon and the Clams are a strange entity. The California quartet has managed to carve out their own little rock and roll niche with a sound that feels like an
Grace Potter’s Grand Point North Festival is celebrating its seventh year in 2017, but if there was a nagging predictability or any sense of lack of imagination in the presentation
“It all comes down to intention. You put it out there and the festival will happen. People need to gather, we should be sitting around a fire singing three times
[rating=8.00] Ariel Pink, like his music, is a curious swirl of fantasy, existentialism, and abounding magnetism. Dedicated to Bobby Jameson is Pink’s first solo album since 2014’s pom pom, and
The jingoistic action thriller succeeds only at being kind of fun.
For over a decade now Ohio heroes the Buffalo Killers have been shredding their way across America with their own brand of psychedelic rock that is as much for the
On Our Fathers Were Lions, Seattle, WA songwriter Devin Sinha has grown into the compositional and lyrical force hinted at on 2016’s Our Past and Present Futures. Sinha crafts elegantly
[rating=8.00] For its follow-up to 2013’s Negativity, Deer Tick has released two full-length albums, each showcasing a distinctly different side of the Rhode Island band. Volume 1 is a soft,
[rating=7.00] Released in anticipation of John McLaughlin’s final tour of America, Live at Ronnie Scott’s features a cover photo of the famous London venue with the silver-haired musician pictured in
[rating=7.00] Pictured on the cover of Contraband Love, Larry Campbell and Teresa Williams look like nothing so much as a new American Gothic. And the record follows suit, comprised of
