Originally released in 1996 as something of a corollary title to the Grateful Dead’s Dick’s Picks archival series (it originally had much the same generic artwork) and long out-of-print, The
Dark Star Orchestra returned to Coney Island Friday Night for the first time since 2016. The Ford Amphitheater was brand new back then, but is still a fantastic venue for
The Reverend Peyton’s Big Damn Band have announced their new album Poor Until Payday, out October 5th on the band’s own Family Owned Records label through Nashville indie Thirty Tigers.
On August 8 and 10, Pearl Jam returned to where it all began for two shows in Seattle, Washington. Playing at SafeCo Field, the grunge legends paid tribute to lost
The 8th Annual Grateful Dead Meet-Up at the Movies was thankfully more about musicianship than marketing. Pre-show publicity hinted at preview of a forthcoming vault release, Pacific Northwest ’73–’74: Believe
[rating=7.00] Liz Cooper and The Stampede may be responsible for an entirely new independent genre, one best described as cerebral psychedelic folk given the way it blends Cooper’s fragile singing
“I always start with personalities, and they had this charisma that always gets me,” says Crystal Moselle, co-writer and director of Skate Kitchen. The film, which opens in theaters this
Get Shorty, which returns for its second season this weekend on EPIX, might be named after Elmore Leonard’s 1990 novel, but it only takes loose inspiration from its framework of
[rating=7.00] Although The Magpie Salute’s High Water I sometimes too clearly recalls the sound of the Black Crowes, it is nonetheless a superb rock and roll record on its own
Spike Lee returns and he’s mad as hell.
