In a new weekly roundup, Glide drops caustic commentary on selected tracks from release day Friday. Modern Nature – “Brigade” Jack Cooper’s stints with Mazes and Ultimate Painting have developed
After spending the last decade building her Hadestown project into a Broadway phenomenon and reworking traditional folk songs with Bonny Light Horseman, singer-songwriter Anaïs Mitchell has returned with her first
The Mighty Mighty BossToneS, the beloved ska progenitors who formed in Boston 39 years ago and brought the ska-core subgenre into the mainstream, announced they are calling it quits. A statement on
On the first single from FREAKONS, “Blackleg Miner”, (listen below) Sally Timms doles out some rough justice. Taken from their forthcoming self-titled album, FREAKONS track a seam of gorgeous shiny
Singer-songwriter Forrest Hill wasn’t going to make a fourth solo album. As a musician, who had a fruitful “part one” career bisected by domestic bliss, enlightening personal journeys, and a
Simone Felice’s All The Bright Coins hearkens to Nothing Gold Can Stay, the first project he conducted (with Robert ‘Chicken” Burke) after leaving his band of Brothers. Not coincidentally, the
Bill O’Connell’s A Change Is Gonna Come is ideally timed as the pianist, composer, and arranger is fresh off a Grammy nomination for ‘Best Arrangement (Instrumental or A Capella)’ for the
Debut albums usually happen for most artists in a significant life timeline, but for 12 year old Seattle-based singer, songwriter, and guitarist Nikhil Bagga, he’s quite ahead of the curve.
