The Flaming Lips came through Portland, Oregon to play a show at the Crystal Ballroom on November 15th. Particle Kid opened.
Eric D. Johnson’s Fruit Bats have released a new song “Waking Up in Los Angeles” in support of an extensive April and May tour in the United States and Canada.
Jethro Tull has completed work on the recording of their 23rd studio album, following swift on the heels of their critically-acclaimed return earlier this year with ‘The Zealot Gene’, their first album in two decades.
Columbia Records and Legacy Recordings, the catalog division of Sony Music Entertainment, will release Bob Dylan – Fragments – Time Out of Mind Sessions (1996-1997): The Bootleg Series Vol.17 on Friday, January 27.
On November 18th, the second studio album of trio Mike Baggetta (guitar) Jim Keltner (drums), and Mike Watt (bass), is being released as Everywhen We Go. It marks the recurrence
Daisy the Great is the Brooklyn-based indie pop ensemble fronted by Kelley Nicole Dugan and Mina Walker. The dynamic duo is “joining a larger chorus of female pop musicians that
Neil Young & Crazy Horse’s World Record is not all that different from the foursome’s previous two albums, 2019’s Colorado and last year’s Barn. That’s to say it’s mostly a lowkey and informal piece of recording
On Jaguar Sound, Adrian Quesada funnels those influences into a slinky, bumping, full-length instrumental release that bubbles like a bong.
With The Burnt Pine’s core lineup consisting of members based in both the U.S. and Portugal (3187 miles apart), they have skillfully and beautifully demonstrated, in both logistics and craft, they have mixed paving the way for Don’t Look Down, their affecting sophomore album arriving February 3rd CEN/The Orchard.
On his new single, “Music’s Not Enough” that Glide is premiering below off his upcoming solo album Other People’s Houses, Mulroy confronts the challenge of pursuing “the dream,” while keeping one chord in reality.
