Formed in 1979, the same year as the Stray Cats, The Blasters were one of the only American bands still hoisting the flag for Rockabilly throughout the 1980s when every
Songs with “rain” in the title have never been scarce, but when those compositions are sung with a radiant gravelly gravitas like that of Josh Langston, drizzles become downpours. And
The Blue Note/Third Man partnership may well have saved their best for the fifth and final installment – Grant Green’s late arriving but nonetheless legendary Live at Club Mozambique. The
You could easily be overwhelmed by the volume of Chick Corea recordings issued in these past and forthcoming few months. In late September Candid Records re-released the original five albums
Roots-influenced artist Jonah Tolchin has traditionally been associated with the Blues but has never made a complete album focused on his biggest formative element until now. His collection Dockside, recently
It’s a long way from Midnight Oil’s self-titled debut album to 2022’s Resist, the release accompanying the band’s self-imposed retirement from touring the same year (and purportedly not the last of
Progressive rock pioneers and Rock & Roll Hall of Famers YES are on their “Classic Tales of Yes Tour” that kicked off in September and runs through November. The Steve
The Wood Brothers have never radiated such calm, confident dignity as they did striding out onto the MainStage of the Flynn Center on October 27th. But their unassuming demeanor was
Jaime Wyatt’s much-buzzed-about debut, Felony Blues, focused on her battle with addiction and time in prison for drug-related crimes. Her remarkable follow-up, 2020’s Neon Cross, continued that same autobiographical narrative,
1998 was a formative year for Bruce Hornsby. As if playing a key role in the formation of a Grateful Dead redux – The Other Ones – and the massive
