With self-penned originals about human connections, family and sustaining relationships, At the End of Paths Taken is lyrically a classic Cowboy Junkies album.
Everyone makes their standard "best of's," top 10s" and "year in review" lists, but each December we like to take that model a couple of steps further. We go straight to the artists to see where they found inspiration over the past twelve months, and we don't stop with just album choices. We dig a bit deeper and go for a broader picture of the past year in art. From classic moments on the road to their guilty pleasure confessions, this is a panoramic snapshot of "the best of 2006," and a peek into what to expect in '07.
It’s been seven years and four albums since Dan Messé first heard Sally Ellyson’s voice, as they would soon form the New York based Hem. With an elegant tone and silky vocals, Hem is crafting intimate southern songs that bite.
It’s not a stretch to say that Over the Rhine is at their creative peak. The last few years have produced the art rock Films for Radio, the addicting double album Ohio, and the intimate and personal Drunkard’s Prayer, not to mention a few internet-only live albums that have been sold to dedicated fans along the way. Granted, they haven’t caught national attention like Wilco or The Flaming Lips, but nonetheless, it’s been a great time to follow their lead and watch them evolve.
Funnel Cloud serves as the perfect soundtrack for a cool, lazy Sunday morning, one that you
The feeling of lost opportunity after 9-11 became the catalyst for the Cowboy Junkies latest album, Early 21st Century Blues, which features the Junkies covering the likes of Springsteen, Dylan, U2, and John Lennon. Songwriter Mike Timmins provides his thoughts on those fragile times, pleading his case to Yoko Ono and what’s next in line.
If The Art of Virtue is any indication, Adrienne Young lives by Ben Franklin
The Cowboy Junkies rarely record other songwriter’s material. However, when they do they are usually diamonds in the rough that only the hardcore fans of a particular artist have heard.
On a Wednesday night at Mississippi Nights in St. Louis, Gillian Welch showed her full-grown subtle beauty and timeless songwriting alongside guitarist David Rawlings.
Benefiting the Alejandro Escovedo Medical and Living Expense Fund, an all-star cast including Lucinda Williams, Steve Earle, Los Lonely Boys, Cowboy Junkies, Jayhawks, and a reformed SonVolt has come to the rescue to deliver their interpretations of Escovedo
