Check in on Wednesday of every week during Season 6 of Lost to share your thoughts, theories, complaints and assessments of the previous night’s episode. Big time SPOILER alert for anyone didn‘t watch yet.
Synopsis: As always, we teamed up with the Joker from Coventry for this week’s setlist and recap. Side note: Joker ran a reprint of his epic LOST/Phish Tees if anyone missed out the first time around. Check ’em out.
Geronimo Jackson, May 18, 2010
Set I (Off Island): Milk and Cereal (1), Cremation Services (2), Slow and Low (3), Watching The Detectives (4), Mr. Nice Guy (5), I Found a Reason (6), Jailhouse Rock (7), Cortez the Killer (8)
Set II (On Island): Bullet with Butterfly Wings (9), Throwing Stones (10), The End (11), Loving Cup (12), Secret Door (13), The Payback (14)
Encore: Wishing Well (15) > Seek and Destroy (16)
(1) G Love and the Special Sauce; David, Jack, and Claire
(2) Jerky Boys; Desmond and Jack
(3) Beastie Boys; Desmond with “we’re here to help you let it go” banter
(4) Elvis Costello; Miles and Sawyer
(5) Will Smith; Alex and Mr. Linus
(6) Velvet Underground; Locke with Alice in Chains “Angry Chair” teases
(7) Elvis Presley; Kate, Desmond, and Sayid
(8) Neil Young; Officer Cortez (aka Ana Lucia), Sayid, Kate, and Desmond
(9) Smashing Pumpkins; Kate and Jack
(10) The Grateful Dead; Young Jacob and Hurley
(11) The Doors, Jacob and the Candidates
(12) The Rolling Stones; Jack and Jacob
(13) Arctic Monkeys, Ben and Flocke
(14) James Brown; Ben and Widmore
(15) Blind Melon
(16) Metallica
READ ON for this week’s Epic One Liner, summary and discussion points…
“When you look at a city, it’s like reading the hopes, aspirations and pride of everyone who built it.” Hugh Newell Jacobsen
Of course what Mr. Jacobsen forgets is that a city is an impolite and imperfect marriage of those aspirations. Who does the city belong to and who owns its cultural heritage, episode three of HBO’s Treme asks. Davis McAlary assumes it belongs to him and the musicians of Treme. That no military police can tell him how to act in front of his house and that his rich white neighbors can’t possibly understand the specific history of the neighborhood and even invokes Trombone Shorty’s name in the discussion.*
*Funny moment: Early in the episode Davis, whom is white, unemployed, a part-time musician and a longtime music snob – i.e. a HIPSTER – is railing against gentrification when it’s an older gay couple, whom he’s (wrongly) assumed have no ties to the area. Later on he’s inspired to sing proudly about the group of strippers that have moved into the neighborhood and even uses the line, “You can call it gentrification, but I call it good!”
The musicians on the other hand, have their own ideas about their place in New Orleans. Delmond Lambreaux suggests that while New Orleans loves its music, it doesn’t have nearly as much love for its musicians and almost begs Trombone Shorty to leave the city for greener pastures in New York or Europe. Even the famous Dr. John, during rehearsals for a benefit at Lincoln Center worries that he’ll be criticized for not presenting the Mardi Gras Indian songs with enough “respect”.
READ ON for more on episode three of HBO’s Treme…
