
‘The Power of the Dog’ Brings New Angles To The Western Genre (FILM REVIEW)
Rating- B The last couple of decades have really forced a reconsideration of what the western is as a genre. As we creep further and further into the 21st century,
Rating- B The last couple of decades have really forced a reconsideration of what the western is as a genre. As we creep further and further into the 21st century,
While Summer is known for its high octane blockbusters and big budget thrill rides, the holiday movie season is the source of what is usually the year’s best in cinematic
While Summer is known for its high octane blockbusters and big budget thrill rides, the holiday movie season is the source of what is usually the year’s best in cinematic
While Summer is known for its high octane blockbusters and big budget thrill rides, the holiday movie season is the source of what is usually the year’s best in cinematic
Charles J. Moss speaks with the filmmaking crew behind ‘Big Star: Nothing Can Hurt Me.’
Just over 20 years ago the members of a newly-formed rock band from Seattle made the decision to change their name from Mookie Blaylock to Pearl Jam. The rest, as
A star-studded lineup featuring many of the best guitarists in the world gathered at Toyota Park outside of Chicago this past Saturday for Eric Clapton’s third Crossroads Guitar Festival.
The marathon 11-hour concert included sets from Sonny Landreth, Robert Randolph, Robert Cray, Bert Jansch, Stefan Grossman, ZZ Top, Doyle Bramhall II joined by Gary Clark & Sheryl Crow, Vince Gill joined by Albert Lee, James Burton, & Keb’ Mo’, Citizen Cope, Earl Klugh, John Mayer, Buddy Guy with Johnny Lang, Derek Trucks & Susan Tedeschi Band joined by Warren Haynes, Sheryl Crow, David Hidalgo, Cesar Rojas, & Johnny Winter, Jeff Beck and Eric Clapton with Stevie Winwood and B.B. King.
If you didn’t make it out to Chicago for the festival, you can still watch a truncated version of the event at one of 475 theaters nationwide at 7:30PM on July 27th. Performances by Eric Clapton, ZZ Top, Steve Winwood, B.B. King, Jeff Beck, Vince Gill, Sheryl Crow, Buddy Guy, John Mayer, emcee Bill Murray and others will be part of the movie. Tickets are available at theater box offices and online at www.fathomevents.com. Rhino plans to release a DVD/Blu-Ray edition of the film on November 8.
For more on this year’s Crossroads event, be sure to check out Jon Pareles’ review for the New York Times or Greg Kot’s review for the Chicago Tribune. READ ON for Clapton’s setlist from the Crossroads Guitar Fest…
After months of build up, Phish 3D finally begins its one week run in theaters nationwide tomorrow. To help promote the release the filmmakers have uploaded the complete Loving Cup
“I believe whatever doesn’t kill you, simply makes you… [takes off his mask] stranger.”
…transformed into another image, and another drifting away, without beginning, or end, to always be, and not knowing what to do next, trapped in time, and fading into the mists of history, a glimpse of blissful eternity…
Ahhh…eternity, we’ve hit upon that word. Again. THAT word, buried below, like some lost remnant on an island where time has no meaning; and space, even less, just the two concepts engaged in immortal combat, as it were, with each other. Climb aboard as we venture out there into eternal bliss (or, is it madness?) in the first episode of the fourth season, and a nod back to the final episode of the third season, with a journey through the American version of a science fiction novel written by Stanislaw Lem, Solaris.
Transformed into another image, this film was produced by James “I’m King of the World” Cameron betwixt his minor Kate y Leo celluloid ride upon the waves of joyful rompery before remembering that they are, in fact, on the tragic Titanic (didn’t they see the movie? Didn’t they hear about the iceberg?), and a tiny 3-D science fiction docudrama called Avatar, starring an evil jarhead, the cool Latino chick from LOST, a miscast Ripley Weaver, and a bunch of little fairies and birds that are quite fascinating to watch when a) high, and b) catching the overwrought film on a towering 26-story screen.
As we first reported in October, Phish’s Festival 8 was filmed in 3D for a theatrical release and we finally have the details on just when we can catch Phish