With their 11/2/07 performance at the Music Hall of Williamsburg—which used to be the hipster haunt Northsix, but was bought by the Bowery crew and transformed into one of the most promising new venues in New York City—Lotus demonstrated yet again their commitment to continued growth and developmen
The Galactic album that became From the Corner to the Block was originally going to be all-instrumental, and in its initial stages was a little loose on concept. That was two years ago, when the band found itself on tour with Bay Area emcee Lyrics Born as the opening act and nightly sit-in guest, and was really enjoying itself as it figured out the next direction.
Producer Aaron Levinson and Ropeadope Records founder Andy Hurwitz return with another genre-bending musical tribute to a specific cultural breeding ground. But unlike Philadelphia Experiment and Detroit Experiment, this one spotlights a single neighborhood, Harlem, one of the most artistically fertile areas in the country. Structured as an imaginary AM radio transmission, “hosted” by Harlem DJ muMs—and featuring a talented house band—Harlem Experiment weaves an aural tapestry of funk, blues, jazz, salsa, hip-hop and beyond.
On their third studio album, Mr. Patterson’s Hat (the title is a tribute to a local auto mechanic who haunts the local bars and music venues), Papa Grows Funk mostly does it right, displaying great respect for the musical traditions of the Crescent City, from funk to blues to R&B to jazz and beyond.
For No Place Like Soul, Soulive not only changed record companies, but the band’s approach to creating music went under complete renovation.
On From the Corner to the Block, the funksters take a definitive step forward by tackling hip-hop for the first time. Though the band’s sound has always worked well with guest hip-hop emcees—they’ve shared the stage with The Roots, Juvenile and Jurassic 5—this album fully embraces the tradition with collaborations from a veritable who’s-who list of hip-hop artists and turntablists: Juvenile, Lyrics Born, Mr. Lif, Boots Riley, Gift of Gab, Lateef the Truthspeaker, Ohmega Watts, Chali 2na, Ladybug Mecca and DJ Z-Trip.
The latest album from the now-quartet—soul/reggae vocalist Toussaint joins the trio of Eric Krasno (guitar), Alan Evans (drums) and Neal Evans (keys)—No Place Like Soul, the first recorded with a vocalist since, is a fitting launching pad for the new Stax. Over the course of 13 new tracks, Soulive delivers the goods with typical style and attitude, expanding on their vigorous instrumentals with deeper harmonies and tighter song structures.
Fans of the late 90’s instrumental compilation The In Sounds From The Way Out will dig these new funky instrumentals material. Who would have thought The Beastie Boys would be selling albums based on their drums, bass and guitar chops?
Over two years in the making, Waiting Room serves as the end-piece to career of Addison Groove Project, who after years of uncertainness due to the death of bassist John Hall and the decision of guitarist/ singer Brendan McGinn to attend medical school, finally decided to part ways.
New Orleans funk band Galactic is working on the follow-up to their 2003 release, Ruckus. The band has been co-writing tracks with a variety of vocalists and MCs including Jurassic
