In keeping with its title (and the striking cover graphic by the famed Kelley/Mouse artistic team), Robert Hunter’s second solo album resides squarely in the oeuvre of the Grateful Dead,
There’s a spotlight over Bob Weir and his silver mane. He stands in front of dozens of Chicago Philharmonic Orchestra members and the Wolf Bros, but he’s in a space
Oteil & Friends just hit the road for a fall tour, the second night of which found the ensemble playing to a sold-out crowd at Portland, Oregon’s Revolution Hall. On
It’s well to remember that the late poet Robert Hunter found his way into the Grateful Dead universe as a performer with his future songwriting partner Jerry Garcia. His esteemed
Far from sounding dated, the content comprising this edition of Bear’s Sonic Journals vividly and accurately captures a moment in time worth revisiting. Notwithstanding its title as homage to the groundbreaking organization
Dave’s Picks Volume 49 is just the third four-CD set in the ongoing Grateful Dead archive initiative and only the second (besides #36) to contain a pair of complete performances by the
Nashville’s Jaime Wyatt has released her cover of The Grateful Dead’s iconic song “Althea” today as a way to connect with her late father and reflect on the innumerable times
There’s something to be said about going out on top. Of course, it’s natural to wonder why stop now, what really happened, how did we get to the final show?
Dave’s Picks Volume 45 is that rarity among the entries in this ongoing Grateful Dead archive series, one in which the quality of the performance is (ultimately) superior to that of
It’s probably fair to say that the immensely positive response to Detroit tenor saxophonist Dave McMurray’s 2021 Grateful Deadication was as unexpected as the project itself. Yet McMurray has seized
