This is the first book written by a band member that deals directly with the Grateful Dead and the inner workings of this American Institution.
In less than a few short years, the estate of one Jerry Garcia, at least in the vault material department, has upped its commercial status from sleeping giant to roaring juggernaut. This latest, four-disc collection
The Rex Foundation lost steam following Jerry Garcia
Synchronicity is something that, as I have found, follows the Grateful Dead’s music around pretty closely. There is something just plain magical about their songs. This was exemplified to me, yet again, when I was initiated into the world of the Dark Star Orchestra at Higher Ground.
Steve Kimock talks about the upcoming studio album, the DVD, the intonation of nature, and more.
It’s hard to imagine, but there was actually a period in the 70’s when the music establishment ignored Little Feat. With their eclectic blend of styles and surreal lyrics still rocking crowds today, perhaps these California rockers were just ahead of their time.
Weir Here is a two-CD retrospective, the first being a chronological journey through his studio work, the second a collection of essential Weir moments caught on stage. And yes, two full albums of Bobby tunes comes with more yelps, hollers and high-pitched screams than you can shake a pair of tight shorts at.
Over the nearly three decades I’ve known Steve Kimock, I don’t think he’s ever really wanted to do anything other than play his guitar well. He has always preferred to – or, more accurately, had to – follow his muse, letting the chips fall where they may commercially.
For over thirty years, Max Creek has been playing their unique package of infectious music across the northeast. Glide Magazine recently inteviewed keyboardist Mark Mercier and drummer Scott Allshouse to discuss topics that include their band’s longevity, Camp Creek, improvisational music, and playing with Phil Lesh.
