indie

John Vanderslice: Pixel Revolt

On Pixel Revolt, Vanderslice graciously straddles the bridge between songwriter and story-teller (there is a bridge, trust me), taking a J.D. Salinger meets Conor Oberst approach and layering his lyrics with dusky cellos, lightly strummed guitars, and floating beats.

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Halloween, Alaska: Too Tall To Hide

Halloween Alaska’s latest Too Tall To Hide, delivers a unique sound. It is tough to elicit a “warm” feeling from electronic music, but Halloween, Alaska has mastered that difficult task. There are flashes of the eighties, and peeks of bands like The Postal Service here and there, but ultimately this CD reaches out and seeps into the cracks with far more mood and substance.

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Wolf Parade: Apologies to the Queen Mary

You can blame The Arcade for Montreal suddenly losing the biggest secret in rock title. And you can blame The Arcade Fire for bringing art rockers Wolf Parade out on tour and transforming them into the North Country

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King Elementary: Kudzu

Having first butted heads over the respective merits of metal and pop-punk in middle school, King Elementary eventually made up over Strokes and At the Drive-In covers, and Kudzu, the second album from the still adolescent Mississippi quartet, moves them one step closer to the final post-teen realities of manhood. King Elementary still aren

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Fruit Bats: Spelled In Bones

No doubt the Fruit Bats have had to endure endless comparisons to their label and sometime tour mates the Shins. But with their second Sub Pop release, Spelled in Bones, the Fruit Bats challenge listeners to set aside those comparisons and to judge them on their own really, really catchy merits.

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