Kings of Leon prove that the garages of Southern America are filled with more than leather skinned young men without pupils, cranking out batches of crystal methamphetamine between frustrating sessions carving out the perfect soap box derby car for his sister
Frances the Mute is way too big to fit within the semantic confines of rock and roll, but by forcing it, rock and roll itself is expanded, and thank God for that.
Gracing the stage at exactly midnight, this Longwave show was to mark the upcoming closing of the Luna Lounge. The New York band pleased the audience by offering up a wide mixture of songs from its music vault including older tunes from the Untitled EP. The group played a lot off their first full-length disc, The Strangest Things, which is often compared to early U2, to new songs from the upcoming sophomore effort, There’s A Fire.
With their Sub Pop debut, The Great Destroyer, Low enlists the services of David Fridmann (Flaming Lips, Mercury Rev) to give them a kick in the realm of an aggressive guitar rock record.
Chicago has long been recognized as fertile grounds for hard work and liberal, free thinking. From Wicker Park
With their flair for electronics, low end bass and climatic riffs, Ratatat might do well for themselves by learning to stretch things out a bit. After the appetizing forty-five minute set, there was clearly room left for a main course at Higher Ground.
Since breaking into the UK mainstream this past summer, Kasabian have been outspoken proponents of their aggressive, confident blend of beats and guitars – taking their homeland by storm and administering what they believe was a much needed shot of honesty and ambition.
Take a hint of Interpol, throw in some Cuban salsa, and add, not a hint, but a fair amount of those old German polka records that show up at flea markets the world over, and you’ve got Devotchka’s stunning release, How It Ends.
From the urgent-as-a-Bloody-Sunday
