Mike Dillion’s Go-Go Jungle Announce U.S. Tourdates
Mike Dillon’s Go-Go Jungle are riding high on the initial success of their debut album, Battery Milk, on HYENA Records. They’ll embark on the second leg of a North American tour
Mike Dillon’s Go-Go Jungle are riding high on the initial success of their debut album, Battery Milk, on HYENA Records. They’ll embark on the second leg of a North American tour
Medeski, Scofield, Martin, and Wood, kicked off their night of funked out jazz at Northampton's Calvin Theater, it was obvious to everyone in the house that gimmicks and stage antics weren’t on the agenda. Instead, quality musicianship was the quartet’s goal, and world-class technique was what they came to deliver.
The Motet fuse together the Latin with the funk, the new break beats with the experimental sax-laden jazz. Through this fusion of sound and cultures, Boulder, Colorado’s darlings have been worldly instrumentalists since 1998. With the release of their new album, Instrumental Dissent, the experimental sextet has further stamped their claim to a sound that has become trademark The Motet.
Charlie Hunter and his latest Trio brought the rock star flavor back to jazz in Richmond the other night. Despite a particularly vicious bout with tendonitis, Hunter displayed no signs of discomfort. It wasn’t until after completing the two sets of music that Hunter applied ice to his invisible wound, enjoying Black Sabbath’s "Sweet Leaf" over the speakers.
Skerik's latest album Husky, is a live recording featuring his Syncopated Taint Septet, a mix known as a “punk-jazz version of the Thelonius Monk Octet. ” For the musician known as Skerik, the word "collaboration" never grows old.
As a drummer, composer and bandleader for the past 27 years, Bobby Previte has been a perpetual music machine. With Coalition of the Willing, Previte is joined by Marco Benevento, Charlie Hunter, Skerik and Stanton Moore proving there are always inventive ways to serach for “it.”
Over the years the band has undergone an extensive evolution from a purely atmospheric jazz fusion band to what Glide has referred to in the past as a, “power rock trio that has only begun to scratch the surface of potential.”
On the evening of a dust storm following a 110 degree scorcher, there was enough empty lawn space at the Cricket Pavillion to set up a par 3 golf hole. The show was clearly undersold as opener Michael McDonald delivered his gray haired/blue eyed soul. Through his work with the Doobie Brothers and his solo catalogue, McDonald has one of the most recognizable baritones in rock history, as you can’t walk into a supermarket without hearing him play through the PR.
here is a harmonic rumbling emanating from Portland Oregon, and if you listen quite closely you might hear the sweet sound of a sax floating through the air. Devin Phillips is making quite a splash on the Portland music scene, and his road to P-town is an epic tale of devastation and rebirth. Almost as amazing as is his musical chops on his tenor and soprano saxophone, is the tumultuous path that led him here.
While their previous self-titled record on ropeadope seemed more haphazard in a coming-together-at-the-last-minute sort of way, Husky has a more robust polish to it.