m. ward

HT 25 Best Albums of 2009: Numbers 21-25

This year at Hidden Track, we concocted a little experiment for our year-end Best Albums of 2009 list. Instead of picking the old fashioned way – subjectively – we opted for something a little different: a collaborative, collective list that incorporates the opinions of everybody here at HT.

To begin, we devised an all-encompassing list of around 100 nominees and populated it in a Google spreadsheet – essentially anything that anybody who writes for Hidden Track liked at all, made the list. Then we invited our crew of writers to independently vote on the whole list (omitting anything unfamiliar) on a scale of 1 to 20 (20 = five stars). We ended up with 33 voters with varying degrees of familiarity with the nominees; some folks voted on just about everything, while some just a few. From there, we eliminated anything that did not receive at least three votes, calculated the average scores, and sorted it. We took the top 25 scores and presto: the Hidden Track 25 Best Albums of 2009. No bullshit, no big opinions; just the results.

Let’s kick things off with numbers 25 through 21…

25) M. WardHold Time

Key Tracks: Stars Of Leo, Rave On, Never Had Nobody Like You

Sounds Like: An old antique photo

12681-hold-time

Skinny: In 2008 M. Ward seemed to take a backseat to doe-eyed actress Zooey Deschanel as the Him in vintage indie-pop act She & Him, but he was back in 2009 with his latest solo release, Hold Time. The album is full of everything we’ve come to expect from Matt over the years – modern indie-rock that is completely bathed in the patina of the last fifty-plus years of pop music. Combining his sepia-drenched vocals and open tuning guitar work with guest appearances from the aforementioned Deschanel, Lucinda Williams and Grandaddy’s Jason Lytle.

READ ON for the next four albums in our countdown…

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The B List: Top Six Of The Last Six

As we continue our year end house cleaning around these parts, I thought I’d chime in once again with a list of my own. As has become the half yearly tradition around these parts, in lieu of a traditional top ten list we opt to do something a little different with our Top 6 of both halves of the year.

While my Top 6 Of The First 6 seemed to have some pretty obvious choices, the second half of the year’s list is mostly dominated by debut records – so let’s get on with it…

6. FanfarloReservoir

Fanfarlo-Reservoir

I’ve had Fanfarlo’s debut album for so long, that I almost forgot that it officially got released this September. Loaded with orchestral folk-rock that has become all the rage in recent years, the album features everything from saws and clarinets to cellos and ukuleles to melodicas and thermins that all combine with lead singers Simon Balthazar’s booming vocals to produce a cacophony of melodic noise that doesn’t fall far from the Neutral Milk Hotel/Arcade Fire tree.

READ ON for the rest of my Top 6 Of The Last 6…

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Video: Monsters Of Folk – Say Please

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Bloggy Goodness: Peace Out

Believe it or not, legendary singer-songwriters and avid activists Joni Mitchell and James Taylor were responsible for getting Greenpeace off the ground. Back in 1970, the duo played the Amchitka

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Monsters of Folk: Monsters of Folk

"Cross Collaboration,” “Super Group,” call it whatever, Monsters of Folk simply sound good…real good.  Conor Oberst, Jim James (Yim Yames), Mike Mogis and M. Ward have all established themselves as artists to reckon with in this new millennium and they gathered back in 2004 to start tossing ideas around. Their self-titled album was released this month; it is an enchanting mix of guitar strums, wonderin’ blues and flat out gorgeous vocals.

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Tour Dates: Back To School

Every fall for the last 20+ years legendary singer-songwriter Neil Young has assembled an all-star roster of musicians for a charity concert to benefit the Bridge School – which assists

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Announcing: Monsters Of Folk Tour

It’s shaping up to be a big week of news coming from the Monsters Of Folk camp. Earlier this week we got our first taste of  the super-group’s self-titled debut

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