
Slightly Stoopid – One Loyal Cadre
Somewhere between authentic dub reggae and California surf-inspired melodic structures, Slightly Stoopid has carved out a successful niche with an independent music model that is clearly more than slightly stupid.
Somewhere between authentic dub reggae and California surf-inspired melodic structures, Slightly Stoopid has carved out a successful niche with an independent music model that is clearly more than slightly stupid.
Bob Marley & The Wailers’ Exodus has previously been afforded the Deluxe Edition treatment. With a previously-released two disc set including extra studio tracks and live recordings from the original release period of 1977, the real necessity of an ‘Anniversary Edition’ comes into question since this latest release adds no new music and only little except in terms of its packaging: a faux grain slip-sleeve and slightly more ornate jewel case.
Reggae is the primary ingredient of Street Gospels, but by no means the only one. With punk running generally under the covers and surfacing occasionally on tracks like "Walls Fall Down" and even more so on "Gunships," soul is more overt. Soulful vocals, especially in the harmonies, roots each song without exception in something genuine, so much so that the album doesn't miss a beat on the a capella "Hush." In fact, the song is essential to Street Gospel’s flow.
Toots and the Maytals performed a hits filled set at Boston’s Avalon Ballroom, letting anyone in doubt know that this age old act is still alive and kicking. Toots Hibbert, has led the group through trials, tribulations, and plenty of lineup changes over the years, but with a catalog of genre defining songs, Toots and Co. have clearly stood tall through musical decades.
Looking at Stephen Marley you can see the resemblance to his father, Bob Marley. Hearing his music just confirms the power of genetics. Five time Grammy winning producer, singer and songwriter and the second son of the reggae master, is now stepping to the forefront for the first time in his 27 year career. His debut album, Mind Control combines the raw roots reggae of his childhood in Kingston with the rock, R&B and hip-hop influences of his formative years.
Seeing the energy of the show was “through-the-roof,” Matisyahu and his Hanukkah extravaganza gave Boston a performance at the Avalon Ballroom that was more than worthy of a cliché “two thumbs up.”
When Michael Franti summons “how you feelin?” people respond. This was clearly the case at Boston’s Avalon Ballroom as Michael Franti and Spearhead had 1,500 bodies jumping to their rockin reggae rhythms, while fans responded with full lung capacity to Franti’s vigorous calls.
Los Angeles band Ozomatli always brings an artful touch to its mix of funk,rock, hip-hop, traditional Latin forms, Asian instrumentation and more. Butthe group¹s latest disc, ‘Don¹t Mess With the
He is a legend, he is Scratch and he is The Upsetter. But he's also self-indulgent to a fault on his latest offering.
Matisyahu proved that his “Chasidic-Reggae-Superstar” gimmick is just that, but he has the skill, and the material to back his gimmick up.