In lieu of the litany of great female groups who've emerged since Sleater-Kinney's demise–Vivian Girls, Dum Dum Girls, Lights, Brilliant Colors, Pussy Riot, even Wild Flag featuring former members Carrie Brownstein and Janet Weiss arguably speaking–none can truly match the unbridled intensity that made the Olympia trio's decade in rock so memorable.
Touring on the back of the excellent new album Kill My Blues, the Corin Tucker Band pulled into New York on a high. Scheduled to play this early show in Manhattan and a later show on Saturday in Brooklyn the band was covering all its bases. This night saw an older crowd fill up the Mercury Lounge as Tucker took the stage dressed in Sea Green and put together a tight hour long set with her excellent band.
Photos from Day 3 (Sunday, May 27) of the Sasquatch! Music Festival at the Gorge Amphitheatre in Quincy, WA. All photos by Joan Bowlen.Bands included: Hospitality (@hospitalityband), Here We Go Magic (@herewegomagic), Gardens & Villa (@gardensandvilla), The War On Drugs (@warondrugsjams), Deer Tick (@deertickmusic), Wild Flag (@wildflagmusic), The Walkmen (@TheWalkmen), Zola Jesus (@ZOLAJESUS)
Feist and Mastodon team up for a split 7″ and Grateful Dead Night at the movies.
Glide Magazine’s Jeff DeMars recently spoke with drummer Janet Weiss, touching on her background with Brownstein in Sleater-Kinney, her own role as a musician before coming to Wild Flag, the group’s future sights and why she would love to add the title “Janitor” to her business card.
The spirit of this dazzling performance lingered in the air long after Brownstein, Timony, Cole and Weiss exited the stage, leaving a sold-out crowd buzzing with an adrenaline rush that would continue long after they wandered out into the brisk Washington, D.C. evening.
Bright Eyes @ Radio City Music Hall, March 9
Words: Jeffrey Greenblatt
Images: Jeremy Gordon
It’s hard to believe that it has been four years since Conor Oberst last recorded under his longtime moniker Bright Eyes, an eternity for a guy that is known for his prolific output. Since the 2007 release of Cassadaga, Oberst has stayed busy by releasing two “solo” albums of breezy, folk-rock with the Mystic Valley Band along with his contributions to the Monsters Of Folk – a band which features his pals Jim James, M. Ward and Mike Mogis. The Omaha native, who has dusted off his Bright Eyes project for the occasional benefit gig in the last few years, finally deemed it time to return to his roots in 2011 with the release of his seventh studio album, The People’s Key.
The album, which may or may not be his last as Bright Eyes depending on who you want to believe, is a sonic departure from his recent work. Oberst has traded in his acoustic guitar for an electric, and his Americana-drenched sound for a maudlin, synth-driven, straight ahead rock one.
Last week, Oberst and his latest version of Bright Eyes – which has featured a rotating lineup over the years, but typically includes multi-instrumentalists Nate Walcott and Mike Mogis – pulled into the Big Apple for a two-night stand at the majestic and cavernous Radio City Music Hall. It was a curious night to be a Bright Eyes fan as the crowd was vocally and visibly excited for the band’s live return to the room they had last played in November of ’07. However, the audience’s enthusiasm seemed to ebb and flow over the course of the two hour show in sync with the crowd’s familiarity with the set list, which included a number of deep cuts.
READ ON for more thoughts on the show and a full picture gallery…