Cris Jacobs Talks Baltimore, The Bridge, The Dead, Touring With Sturgil & Winwood & New Album ‘One Of These Days’ (INTERVIEW)
Veruca Salt Vocalist Louise Post Talks The Journeys Of “Seether”& Finding Her Creative Spark With ‘Sleepwalker’ (INTERVIEW)
Raul Midón’s ‘Lost & Found’ Tour Stop at Philadelphia’s World Cafe Showcases Finger Picking Brilliancy (SHOW REVIEW)
Bill Janovitz Chronicles the Story of Leon Russell in ‘The Master of Space and Time’s Journey Through Rock & Roll History’ (BOOK REVIEW)
2021 Holiday Movie Preview: ‘Ghostbusters: Afterlife,’ ‘The Power of The Dog,’ ‘House of Gucci’ & More
John Fred Young Of Black Stone Cherry Serves Up Another Round of Candid Hard Rock Insights (INTERVIEW)
Emerging Artist J.S. Ondara Makes Voyage From Kenya to Minnesota & Astounds With ‘Tales of America’ (INTERVIEW)
SONG PREMIERE: Lynne Hanson Balances Smart Break-Up Lyrics with Cool Country-Blues On “Just A Little Bit”
SONG PREMIERE: Hamish Anderson Drops Biting Guitar Acrobatics On “Late In The Evening”Off Upcoming Album ‘ELECTRIC’
SONG PREMIERE: Dana Cooper Unravels Scenic & Stirring Americana Via “The Ghost of Tucumcari” (Featuring Lyle Lovett)
Hey You: Catching Up With Barrett Martin of Screaming Trees/Mad Season/Tuatara/Skin Yard March 18, 2024
Jerry Garcia & Bob Weir/Kate Wolf/Rosalie Sorrels & More Highlight ‘Sing Out – Berkeley Community Theater April 25, 1981’ (ALBUM REVIEW) February 23, 2024
Grateful Dead: Dave’s Picks Volume 49 – Frost Amphitheatre, Stanford University, Palo Alto, CA (4/27/85 & 4/28/85) (ALBUM REVIEW) February 15, 2024
Altoist Charles McPherson’s Lyricism and Improvisation Still Burns Bright on ‘Reverence’ (ALBUM REVIEW)
SONG PREMIERE: Lynne Hanson Balances Smart Break-Up Lyrics with Cool Country-Blues On “Just A Little Bit”
Improv Collective Bright Dog Red Returned With Ambitious Two Albums: ‘Bad Magic’ and ‘Hegemontized’ (ALBUM REVIEWS)