DaveO

Best of Cover Wars: Highway 61 Revisited

[Originally Published: May 13, 2008]

Moving on to this week, we’ve got ourselves another classic album from a different legendary songwriter (with an equally unique singing voice) and that’s Bob Dylan’s 1965 release Highway 61 Revisited. This album was Dylan’s fifth and his first recorded entirely with a full rock band.

As always, to ensure that you can listen to the entire track and not just 30-second clips, please register/login with Imeem.

Like a Rolling Stone (Zero): This gentle rendition of perhaps the most popular tune on the album clocks in at 15 minutes. The entire track is full of the tasteful guitar work you would expect from Steve Kimock as well as some beautiful sax solos from Martin Fierro. Check out this great on-stage tape of the whole show on The Archive.

READ ON for more on this week’s contestants…

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Coventry To Hampton: Mike Gordon

Welcome to Coventry To Hampton, a five part series filling you in on the four members of Phish and what they’ve been up to these past five years or so. We’re starting with Mike and we’ll do one on each of the other three band members and cap it off on Friday with a summary of what the Phish organization has been up to. These will publish at 3pm every day this week.

Part Two = Coventry To Hampton – Page McConnell
Part Three = Coventry To Hampton – Trey Anastasio
Part Four = Coventry To Hampton – Jon Fishman

To stream the playlist below, be sure to register/login with IMEEM.
A compilation of MOST of the Post-Phish Gordon compositions:

Click here to launch this playlist in a new window

Mike’s first show after Coventry was just a few weeks later at moe.down 5 in Turin, NY, where he first performed a full show with the Benevento/Russo Duo. This trio would perform their first string of shows later that year for a New Year’s Run in 2004. It was fitting that Mike, the only member of the band who voiced his disagreement with the bands decision to break up, brought a number of Phish originals to the stage the first night of the run including Lengthwise (Fishman), Foam (Anastasio) , Mike’s Song (Gordon) & Cars, Trucks Buses (McConnell).

Studio Pic

READ ON for more about what Mike’s been up to over the past five years including a full list of shows that Mike played and much more audio & video…

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Best of Cover Wars: Boogie On Edition

[Originally Published: February 26, 2008, CLICK TO SEE WHO WON]

This week features six artists competing for the best cover of Stevie Wonder’s Boogie On Reggae Woman. This song comes to us off the 1974 record Fulfillingness’ First Finale. Here’s a look at the contenders:

Addison Groove Project: As you may recall, this now retired (but is any band ever really retired?) funk-fusion outfit from Boston has previously been mentioned on Hidden Track, by me, and about this song. AGP got a mention in my Top Ten Big Red sit-ins.

Legion Of Mary: LoM was Jerry Garcia’s side-band from 1974 to 1975 and featured Garcia, Merl Saunders (Keyboards, Vocals), John Kahn (bass), Martin Fierro (Saxophone, Flute) and Ron Tutt (Drums). This track comes to you from a ’74 show in Berkeley, Merl takes vocal duties, but Garcia’s guitar work starting around the 6 minute mark is definitely worth hearing. READ ON…

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UM Virtual Tour: Wappy Sprayberry

Welcome to Day Two of the Umphrey’s McGee Virtual Tour. Yesterday, Higgins from Lollapalooza 8/4/2006 kicked things off over at ilike.com. Hidden Track has the pleasure of debuting the video of Wappy Sprayberry from August 31st, 2008 from the famous Red Rocks Amphitheatre. This Virtual Tour is another effort of the UM team in its promotion of their 2009 release Mantis, which debuted this week at #64 on The Billboard Top 200.

READ ON after the jump for a full history of the song Wappy Sprayberry…

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The Interface Debuts Acoustic of Montreal

of Montreal stopped by Spinner’s The Interface and laid down three brand new live performances – all of which featured front man Kevin Barnes on acoustic guitar. Anytime a song is performed acoustic, or “unplugged” if you will, it seems to take on a bit of new context.

This is especially true with lyrics such as, “He’s the sort of guy who would leave you in a K-hole to go play Halo in the other room.” I think this series of videos reassures that without all the freaky live stage antics, Barnes is a great songwriter and performer at his core.

READ ON after the jump to check out of Montreal @ The Interface…

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Cover Wars: Don’t Let Me Down Edition

Keller Williams won last week’s Cover Wars, where we looked at covers of Don’t You (Forget About Me). Ha Ha The Moose was a close second.

Moving on to this week, we look at a song The Beatles recorded during the Let It Be sessions, but didn’t make the album. Don’t Let Me Down was featured as the b-side of the single Get Back. I keep coming back to The Beatles because so many great artists have covered their tunes. Instead of copying and pasting a lot of fun facts and quotes about the song, I recommend just checking out the entry over at The Beatles Bible. For me, it’s all about the measure of 5/4 to start every verse.

As always, be sure to register/login to IMEEM before starting the playlist below to ensure you listen to full-length tracks.

Go ahead and click this link to launch the playlist in a new window.

READ ON after the jump for more information, the voting, and for entries that are only embedded with video and are not available on the playlist…

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Review: Vic Chesnutt & Elf Power

Saturday night I went and saw Vic Chesnutt & Elf Power at the Middle East upstairs in Cambridge. I’ve got a friend who I now call “Indie Dan” that is constantly throwing new bands my direction. After the fourth time he bugged me about going to this show I gave a listen to the 2008 release Dark Developments from this combo and decided to go. Good thing I bought my ticket in advance because these Athens, Georgia indie dudes sold it out day-of-show. In fact the hand-written piece of paper read, “TONIGHT’S SHOW IS SOLD OUT FOR REAL”.

Chesnutt, from his wheelchair which he is bound to after a car accident, had an abrasive but playful interaction with the crowd all night as he explained the meanings behind some of his songs and humorously turned down song requests. Especially comical was his explanation that a song titled Teddy Bear was in his words “About fucking…”. No, it wasn’t about fucking a teddy bear. Three songs into his set, Chesnutt confirmed what I had thought was going on: That they were playing Dark Developments in its entirety. Chesnutt’s low and somewhat raspy voice sounded as good live as it does in the studio.

Here’s some video from a show last year at the Santa Fe Brewing Company:

READ ON for more of DaveO’s review of Vic Chesnutt & Elf Power…

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Phish Adds A Stop In Knoxville (June 10th)

Phish have just announced that they are adding an eleventh date to their “summer tour.” The band will perform at the 24,535 capacity Thompson-Boling Arena at the University of Tennessee

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Redman Takes “Double Trio” On The Road

Tonight, tenor saxophonist extraordinaire Joshua Redman takes the stage with two of the best drummers I’ve ever had the pleasure of seeing: Gregory Hutchinson and Brian Blade. Also joining Redman for the second of two nights at the Highline are bassists Reuben Rogers and Larry Grenadier. Here’s a taste of Redman with Blade on Drums and Sam Yahel on Keys:

Redman blogged, with a heavy dose of humility, about the upcoming gigs on his website:

On the plane to New York and getting pretty psyched up for these upcoming double trio shows with Reuben, Greg, Larry and Brian. Two phenomenal bassists, two masterful drummers, and one, lone overmatched and under-skilled saxophonist: could ket kinda ugly! We recorded together last March, but this will be the first time for any of us playing live in this sort of configuration. Should be a lot of fun, and pretty wild. Honestly, I have no idea what to expect. But isn’t that what jazz is all about?

READ ON for more on Joshua Redman’s double trio shows…

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