Doug Collette

Bob Dylan: Tell Tale Signs: the Bootleg Series Vol: 8

Bob Dylan has long taken a decidedly unconventional stance toward his recordings so it should come as no surprise he’s demonstrated the same non-traditional tendency for his archive project. Notwithstanding the significance of landmark recordings such as The Royal Albert Hall Concert and Live 1964 Concert at Philharmonic Hall, the highlights of “The Bootleg Series” consist of Volumes 1-3 released in 1991 and now Volume 8, both of which are subtitled “Rare and Unreleased.”

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Matthew Sweet: Sunshine Lies

Arguably one of the architects of alternative rock, Matthew Sweet is nevertheless a pop traditionalist of the highest order. His watershed 1991 album Girlfriend, like more diverse productions such as In Reverse and Living Things, is centered on the work of a compact rock and roll combo and so too is Sunshine Lies.

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The Black Crowes: Higher Ground, South Burlington, VT 10/20/08

The Black Crowes sounded like a truly great rock and roll band in their first of two nights at Higher Ground. The new members of the band, especially guitarist Luther Dickinson, sounded fully integrated into the lineup, while Chris and Rich Robinson appeared as creative complements rather than the combatants of years past.

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U2 Remasters: Boy, October, War, Under A Blood Red Sky

Like The Joshua Tree, the inaugural title of the U2 reissue series begun last year, the recently released double disc sets of the band’s first three albums and their initial live release are truly deluxe packages. Bound like books and enclosed in slipcases, the CD graphics of the archival sets, replete with historical detail, expand on the originals. The liner note essays can be a bit melodramatic, yet The Edge’s own recollections on the recordings, original sessions and B-sides, live shows and alternate takes are the epitome of informality.

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Grateful Dead: Rocking the Cradle: Egypt 1978 (2 CD/1 DVD Set)

If ever a Grateful Dead adventure deserved comprehensive documentation, it’s the 1978 trip to Egypt. Rocking the Cradle Egypt 1978 only manages to scratch the surface of the experience on some fronts, but that’s indicative of how expansive the experience actually was.

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Rodney Crowell: Sex & Gasoline

On his most recent albums, Rodney Crowell brandishes his keen intellect as much as a defense mechanism as a means of skewering sacred cows. But allowing Joe Henry, a songwriter of no means skills himself, to produce Sex and Gasoline, Crowell more readily opens up his heart, as if he already doesn’t exactly wear it on his sleeve.

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Little Feat: Join the Band

Join the Band is shrewd in its aim toward Little Feat’s core demographic, new fan and old. Essentially it’s the same one courted by executive producer Jimmy Buffett, who sing, appropriately enough, on a reggae/calypso arrangement of "Time Loves A Hero.” Yet fans of Brooks and Dunn will be as curious to hear their heroes on "Willin'" as Black Crowes fans will be to hear Chris Robinson croon "Oh Atlanta;" the latter is a slice of vintage Feats funk in which the singer puts his distinctly Southern voice to most effective use.

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The Replacements

This is the debut of new regular column at Glide devoted to reissues, remasters and expanded editions of archival recordings. It is designed to serve as a reminder all good music is timeless, no matter when it was originally recorded or when it’s being (re-) introduced to new musiclovers. This edition focuses on THE REPLACEMENTS

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My Morning Jacket: Bank of America Pavillion, Boston, MA 9/6/08

It still moves all right. There were no video projections of My Morning Jacket’s performance at Boston’s Bank of America Pavilion, but that’s understandable. The camera operators would’ve been driven crazy trying to keep up with the irrepressible Jim James as he careened around the stage.

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