What goes around comes around. Stricken as teenagers in California with the folk blues of the premiere Piedmont folk-blues stylists, Sonny Terry and Brownie McGhee, living legends Taj Mahal and
From sideman to frontman, singer-songwriter Michael McAdam steps out with only his second solo outing, and first in nineteen years with Tremolo. Yes, the skilled and versatile guitarist McAdam, based
Tenor saxophonist Ricky Ford boasts a lineage the envy of many, having begun his career with The Duke Ellington Orchestra under the direction of Mercer Ellington, followed by stints with
Guitar master Ronnie Earl and his long-time Broadcasters consistently deliver clean, soulful blues but their spiritual approach sets them apart from any band in the genre. Mercy Me is Earl’s
This duo of trombonist, singer, and songwriter Natalie Cressman and guitarist, composer, and vocalist Ian Faquini is relatively rare in terms of instrumental pairings, but Auburn Whisper is their second, following 2019’s successful
Vibraphonist and composer Joel Ross exhibits even more steadfast confidence on his third Blue Note release, Parable of the Poet, by unveiling practically a completely new eight-piece band, called the
Put together a band of diverse and disparate backgrounds that combine jazz, punk rock, hip-hop, shoegaze, and electronica and you have the collective known as High Pulp. Were it not
The 2022 Boscov’s Berks Jazz Fest, in its 31st year, returned in its usual slot, the first two weekends of April, boasting a wide array of jazz and other genres.
El Mirador is the tenth album for the three decades running Calexico, co-founded by multi-instrumentalist Joey Burns and drummer John Convertino. The album was recorded in Tucson at longtime bandmate
Pianist and composer Gerald Clayton has delivered one of this year’s most gorgeous albums with Bells on Sand, an artful look at the vicissitudes of time, rendered with a lean
