On Thursday, September 30, Rival Sons brought propulsive rock and roll to an Orlando crowd at The Plaza Live starved for a good show. It was the second show of
In New Age Norms, Volume 3, Cold War Kids complete the trilogy on a high note, with a satisfying mix of upbeat bangers and soulful crooners. Each of the eight-song
Candlebox’s seventh studio album continues the foray into pop-rock that began with 2016’s Disappearing In Airports. Though the Seattle band capitalized on the breakthrough success of grunge music on its
Slothrust’s fifth album is a gratifying blend of hard alternative and pop-rock with a folksy twang. On 2018’s The Pact, the Boston band started incorporating more pop melodies and soft
Like many albums from the last year, Screen Violence was heavily influenced and affected by the global pandemic. The fourth album from Glasgow synth-pop band CHVRCHES was created in fragments,
Contrast is one of the things that makes Welsh indie rock band The Joy Formidable so interesting. Soft, soothing vocals contrast loud rock instruments. Intricate melodies contrast heavy rhythms. So
The fifth TORRES album, Thirstier, finds indie artist Mackenzie Scott breaking new ground, expanding her territory into a more excited and positive place. The quiet, contemplative sound that made up
Back in 2014, Modest Mouse recorded another album’s worth of songs at the same time as the sessions for Strangers To Ourselves. Though three songs were released as singles, the
Eclectic alt-rock veterans Garbage have returned with their third post-hiatus album and seventh overall. No Gods No Masters continues in the Wisconsin band’s tradition, melding disparate musical styles into a
Daddy’s Home, the sixth solo St. Vincent album, marks another abrupt turn for the musical chameleon. Following two art-pop albums drenched in electronic influences, this release is Annie Clark’s most
