In a new weekly roundup, Glide drops caustic commentary on selected tracks from release day Friday Toro y Moi – “Days in Love” Chaz Bear will probably never reach the
Since its 2012 release, Melody Prochet’s self-titled debut album as Melody’s Echo Chamber has quietly become a modern classic. This is partly due to producer Kevin Parker’s ascendence to the
In a new weekly roundup, Glide drops caustic commentary on selected tracks from release day Friday. King Gizzard & The Lizard Wizard – “Presumptuous” How it took this long for
Kurt Vile – “Mount Airy Hill (Way Gone)” 2018’s Bottle It In sounded like an album recorded on tour, a stop-gap which, like the Courtney Barnett collab Lotta Sea Lice,
In a new weekly roundup, Glide drops caustic commentary on selected tracks from release day Friday. Orville Peck – “The Curse of the Blackened Eye” Peck’s twist on alt-county doesn’t
Around the time Grizzly Bear released Shields, their oft-overlooked follow-up to Veckatimest, Daniel Rossen self-produced an even more overlooked EP of extras. Silent Hour/Golden Mile is a strong little collection
In a new weekly roundup, Glide drops caustic commentary on selected tracks from release day Friday. Aldous Harding – “Leathery Whip” Probably the simplest song on her new album, but
For an artist as idiosyncratic as Aldous Harding, it seems like a miracle that 2019’s Designer presented her sound as well as it did. A record like that can find
In a new weekly roundup, Glide drops caustic commentary on selected tracks from release day Friday. Alex Cameron – “Hold the Line” Cameron uses the same tricks on each album,
Whether it be a struggling lounge-lizard, a kind of provocateur incel, or the benefits of stigmatized excess, Alex Cameron has found a way on each of his albums to satirize
