Stay Positive is supposed to represent the creative peak of a band that’s earned more Springsteen comparisons than Mellencamp. Guitarist Tad Kubler even told Rolling Stone- "There are some bands that do five records that all sound similar. We've tried to avoid that." Unfortunately, except the talk boxes, harpisichords, mandolins and horns, this is still the same Hold Steady.
For an artist as prolific as Beck- six proper studio album in the past ten years (10th overall) – one would either A.) be sick and tired of his never going away or B) completely in awe of his continual creative re-inventions. From the somber break-up hymns of Sea Change, the high energy romps of Midnight Vultures, the Odelay flashes of Guero or the “quasi hip hop” of The Information, Beck’s albums are becoming their own box of chocolates.
Med Sud I Eyrum Vid Spilum Endalaust is the first chance for Sigur Rós to expand beyond their own comfort zone and for listeners to do the same and maybe give Sigur Ros a chance, when previously it might of all been a bit too foreign.
n rock and roll debates 101, Robert Plant arguablys hold the greatest rock and roll voice. Sure Steven Tyler, Bono, Roger Daltrey, Freddie Mercury, David Bowie and Mick Jagger are up there too, but its not even worth arguing. On even Simon Cowell’s list, Robert Plant is top five and his voice can do things that make 55 year old grown men in attendance jump the stage (which happened this evening in Phoenix) and 30 year old woman pass roses to the voice of rock and roll’s most iconic songs.
Widespread Panic has held onto their fan base, keeping things comfortable and doing what they do best – not being trendy. The fans still hoot at the top of their lungs during “Love Tractor” and Widespread Panic still appears to be having tons of fun. Keep throwing those curveballs.
Viva la Vida is undoubtedly the bravest offering from this quartet to date, but that doesn’t necessarily make it triumphant.
Circular Sounds is the fourth LP from San Francisco’s home recording auteur Kelley Stoltz. Its 14 songs are a stereophonic advance on the lo-fidelity psych-fuzz of Antique Glow (Beautiful Happiness, 2004) and the mid-fi piano-rock of Below the Branches (Sub Pop, 2006): two modest masterpieces which, by a curious coincidence, both made #24 in MOJO magazine’s “Best Albums” list for their respective years.
Tom Waits is indeed one of those artists, whose enigma runs parallel to his creative aura. And Waits’ stage presence – consisting of porkpie hat, vintage suit, board-stomps and colorful megaphones dappled around the stage, did little to distract from his almost literary persona.
Covering their entire catalog from “10:15 Saturday Night” off 1979’s Three Imaginary Boys, to the new single “The Only One” from their forthcoming album, The Cure visited all eras of their 29 year career.
ust when you the thought the dance-rock thing had hit overkill, Foals tries to one-up the angular, jangly guitar movement. The Oxford quintet lists Steve Reich, Public Image Ltd and Afrobeat as key influences, but Gang of Four rings hard on their debut – Antidotes.
