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HT Review: Disco Biscuits @ Terminal 5 – The Show Must Go On

Disco Biscuits @ Terminal 5, December 27

Words: Carla Danca
Photos: Jeremy Gordon

In a year filled with adventures, the Disco Biscuits began their New Year’s Run this past Monday just after one of the largest blizzards in NYC history. Even with a move to Terminal 5 from the Nokia (now Best Buy) Theatre in Times Square, the real surprise of the night came in an email from the band that announced that due to a severe asthma attack, Allen Aucoin would be hospitalized and special guests would be needed to fill in behind the drum kit.


Monday night saw Mike Greenfield of Lotus fill Allen’s shoes. Greenfield had previously played with the band and luckily was available on short notice. As the house lights dimmed, Pink Floyd’s The Show Must Go On filled the room and the band took to the stage for the dedicated fans that had made the trek into the snowbank-filled city.

The first set had a few teases and prolonged jams with the second half finally finding a more cohesive groove. The segues out of Cyclone into Story of the World was the highlight of the first set. The second set started off a bit more jazzy as the quartet gained steam from the long set break. The suprise of the second set was the really great reception of the crowd to the newer Bombs, which has met a bit of fan resistance since Planet Anthem was released in March. But the song of the night was definitely Astronaut. From the transition into it from Bombs to when they brought it back around after some seriously tribal jaming, Astronaut was a holiday treat to those who figured out a way to make it in for the show. The Biscuits ended the night with a solid Caterpillar encore that was entertaining and kept the crowd moving.

READ ON for more on the Biscuits @ Terminal 5…

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PFPSide: Magical Square Garden

This week, in the midst of Phish’s NYE Run, featured columnist Brian Bavosa looks at the Phishtory of Madison Square Garden in NYC…

The Mecca. As long as the epicenter of the universe, New York City, has been bustling, there has seemingly been “The Garden.”  Originally established in 1879 at 26th and Madison (MSG I), the original venue hosted events much like its predecessors, including boxing and track cycling – very popular during that period. The second incarnation of The Garden (MSG II) was built and held such events as the Democratic National Convention.  However, MSG II did not become profitable until around 1920, when the esteemed promoter, Tex Rickard took the reigns and focused on prizefights, bike races as well as the circus – which still take place in the current MSG today.


This led to MSG III on 8th Avenue between 49th St. and 50th St., which was dubbed ‘The House That Tex Built,” after Rickard, who continued to promote like no other. Unfortunately, after World War II and throughout the Fifties, economic and social situations caused a decline in certain events, eventually leading to the building of the current Garden (MSG IV) in 1968, which is the one that stands today atop Penn Station between 7th and 8th Avenues, smack dab in the heart of NYC.

As much as the current MSG is home to Patrick Ewing, Mark Messier’s Stanley Cup Miracle in ’94, Ali/Frazier’s legendary prizefight in ’71 and Larry Johnson’s 4-point play, it has also become quite the home for Phish, since first playing there in 1994.  (Much like this venue was for The Grateful Dead). I figured that on today’s off-day of their five-night, New Year’s Run, including their first-ever show on New Year’s Day, that this would be a great opportunity to not only glance at MSG’s history as a whole, but specifically focus on the Phishtory The Garden has witnessed throughout the years.

1994

The band’s first-ever venture was a 12.30 show in ’94.  It saw a pretty straightforward, rocking first set, with a blown-open second frame that boasted a half-hour Tweezer and acoustic Blue and Lonesome.  A solid show stuck between the madness of 12.29 and the flying Hot Dog of 12.31 in Boston, this show simply taught the band what it was like to grace the stage at “The World’s Most Famous Arena.”

READ ON for more on Phish @ Madison Square Garden…

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Wednesday Intermezzo: Tribute to McCartney

Last night, CBS aired the Kennedy Center Honors concert, taped on December 5th, which featured a slew of legendary performers from rock history paying tribute to Paul McCartney. Those feting

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Video: Flying Lotus – Zodiac Sh*t

Longtime Cartoon Network collaborator and great nephew of John Coltrane, Flying Lotus, packed a quite wallop in his latest video. Coming in at just one minute and forty seconds, this

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Phish Worcester Setlist: Night Two

December 28th is traditionally the start of Phish’s New Year’s Run, but with an extra show this year, tonight was the second concert of the five-show jaunt as the quartet

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Cover Wars: Green Earrings Edition

[Originally Published: August 3, 2010]

To my surprise, it was pointed out to me after our previous Cover Wars when we took a look at Any Major Dude Will Tell You, it was our first time ever selecting a Steely Dan song. Well, let’s make up for some lost time shall we? This week we’ll have a listen to four performances of Green Earrings, first track of Side Two of the 1976 record The Royal Scam.

Cover Wars

The Contestants:

Animal Liberation Orchestra: Leading off this week we’ve got ALO who have been covering this tune since 2002 but it appears to have fallen out of rotation, at least judging by the results on the Live Music Archive which shows it last being played on Jamcruise in 2007. Source: 1-3-2007

[audio:https://glidemag.wpengine.com/hiddentrack/wp-content/uploads/2010/07/alogreen.mp3]

READ ON for the scoop on the rest of this week’s contestants…

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Video: Pearl Jam – Wishlist

I finally got around to seeing the Single Video Theory documentary about Pearl Jam’s severely underrated Yield album this weekend. Director Mark Pellington gives us a great inside look into

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Umphrey’s to Film NYE Run For DVD

Six years after filming their New Year’s show at the Riviera in Chicago, which was released the following year as Wrapped Around Chicago, prog-jammers Umphrey’s McGee will film all three

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