
Bad Religion: New Maps of Hell
New Maps of Hell is direct, short, catchy and attacking – what more can you ask for in a good punk album?
New Maps of Hell is direct, short, catchy and attacking – what more can you ask for in a good punk album?
After a couple of less than stellar solo albums (hear: Shine, Bar 17), some rather underwhelming tours and one Photoshop destined mug shot, Trey Anastasio has been cementing his legacy with more head shaking than nodding. With The Horseshoe Curve, the former Phish frontman tries on a familiar concept – the instrumental big band, courtesy of his Trey Anastasio Band that toured between 2002 and 2004. Revisiting the works of that highly regarded dectet, it comes to no surprise that now is the perfect time for Anastasio to play it safe.
1960’s rock and roll gets a pop overhaul on Robbers on High Street’s Grand Animals. Taking cues from the Rolling Stones and the Kinks, the band explores ethereal components of their songs. Vocals by Ben Troken recall a young Elvis Costello.
Shapes and Sizes sophomore effort, Split Lips, Winning Hips, A Shiner," exerts less of an impact than their self-titled debut by taking itself too seriously. Despite that, the band continues to engage in an intellectual slugfest, creating their form of art rock by hammering away at convention. Here you will find an array of horns, notes from a music box, and static all working together to produce progressive sound.
The Toronto-based band Picastro combines elements of classical, folk and rock into a unique mix of low-key songs for those less than excitable moments. Straying away from typical rock instrumentation, Picastro employs cello and violin in addition to guitar, piano and drums to provide their odd comfort to the melancholy.
On the second album by the pride of Sydney, Australia, Dappled Cities delivers hooky pop-rock that is eclectic and experimental, but still manages to be a little bland.
The minimalist veterans are back restraining their outward energy but grinding the internal millstone on their newest effort, Drums and Guns. Low went a bit poppy/mainstream (for them at least) with their last effort The Great Destroyer, but now it is back to bleak with Drums and Guns.
Although it’s unfair to compare Our Love to Interpol’s powerful debut, Turn on the Bright Lights, it’s easy to be disappointed. even it still holds that 4:00 am Interpol vibe.
Like Los Lobos, Ozomatli was born and raised in Los Angeles and their music reflects the essence of the city, blending the city's multi-cultural flavor. Where Los Lobos used the traditional sounds of Mexican folk and fused them with the rock ‘n’ roll, Ozomatli brings together hip-hop, ska, rock, and the Latin flavors that are so prevalent in their home city.
When it is over, The Else has left you with a total listening experience, different then TMBG past offerings but still satisfying.