If you’re thinking that Ruthie Foster traded in her award-winning blues style to become a jazz singer, you are only partially right. Surely a vocalist of Foster’s caliber is versatile,
It was time for Gretchen Peters to take a break. She set the bar so high with three consecutively brilliant albums – 2012’s Hello Cruel World, 2015’s Blackbirds and 2018’s
Grant Dermody is a prolific harmonica player who mainly plays blues, but also branches into other genres like bluegrass. He has recorded with artists like Eric Bibb and Cedric Watson.
The cover art of Lettuce’s Resonate is a mirror image of its Grammy-nominated predecessor’s, Elevate, while its title is no less of an action verb. So it only stands to
For those of you who may be unaware, there’s a revolution going on in Russia, a jazz revolution that is. Having already covered a couple of projects from the Rainy
In the latest Wannabe, artist Chris Prunckle offers his illustrated commentary on This Land Is Your Landfill, the new album from folk-punk outfit Homeless Gospel Choir, in his signature six-panel comic strip form.
Funk can take a lot of different forms, from the party-rocking sounds of Parliament to the grooves of bands like The Haggis Horns. On their new instrumental album Man from
Nineteen records into his career, you kind of know what to expect with a Damien Jurado album. Since the late 1990s, the Seattle-based musician has been putting out mostly lo-fi
The Coffis Brothers’ fourth album, In The Cuts, starts with the anthemic declaration we wanted to hear. You know, it’s the kind that makes you pause the song, unplug your
Peter Karp is certainly far from a household name, but he’s sung and written some of the most honest and compelling songs over the past two decades. And, he is
