If you’ve spent enough time in the music world, you come to learn what you can expect from certain record labels. In the case of Small Stone, you know that
At least upon first glance, Garcia Live Volume 13 seems like a welcome return to fertile territory after the sharp left turn of the previous edition with its gut-wrenching performances
Hailed as the greatest jazz singer of all time, any tribute to Ella Fitzgerald demands a pull-out-all-the-stops production which is precisely what we get with this live show from Harlem’s
Casey Van Beek adds to an already impressive resume with Heaven Forever. With his appropriately-named Tulsa Groove aggregation in tow, the man who’s crossed paths with members of the Eagles,
In recent years Brendan Benson has focused on writing and producing other people’s records while also being central to The Raconteurs revival so it has been seven years since his
It has been a long time since Other Lives released Rituals back in 2015. A lot has changed, but what has remained the same is the band’s use of large
While a slew of millennial bands have clearly discovered groups like The Smiths, Psychedelic Furs and The Church as of late, for the most part, most simply sound like glorified
Andy Frasco and The U.N. is – as the name implies – a band that is all about inclusion. From the different nationalities of the members to their different instruments
Two and half years ago the review of Whitney Rose’s 2017 Rule 62 was one of this writer’s first for these pages. The Canadian-born Rose now returns, having been happily
In the latest Wannabe, artist Chris Prunckle offers his illustrated commentary on And It’s Still Alright, the new solo album from Nathaniel Rateliff, in his signature six-panel comic strip form. Click on the
